Bøger af Deena Metzger

From Chapter 1November 17, 1989Dear Cardinal Lustiger, Your Eminence:My name is Daniella Stonebrook Blue. I am-or was-by profession anastronomer. We are strangers to each other. Your name was given to me by awoman on a bus as we were traveling across New Mexico. Because of herinsistence, I am writing to you about this dark period of my life. I need to speakto you about the matter of light.Light is the alphabet of God. I knew this when I was born and then I forgot.This is the first time I have understood it as an adult woman. Even as I preparedto write these words, I didn¿t know what they implied until they appeared onthe page.

Who is La Vieja? When writer Deena Metzger first began to receive "inexplicable communications" from La Vieja, she knew very little about her. Over time it became clear that the old woman was a seer, seemingly real, but spirit-like, who had taken permanent residence in a fire lookout tower in the Sierras of California. Her watch there took on a great significance in this time of climate destruction, pandemic, and the possibility of the extinction of the natural world. There, La Vieja's senses began to sharpen, turning toward a greater connection with the intelligence of the natural world, including the bears and the surrounding trees. Two other characters emerged from this contact: Lucas, a doctor who also loves to retreat to a little-used fire tower, and Léonie, a librarian/stonemason who has a lifelong dreaming connection to the Bears. The two meet and fall in love, and retreat to a similar forest world as their story becomes entwined with the world of La Vieja in an overlapping of realities. Part dream, part real, part memoir, Metzger's La Vieja blurs the boundaries between human consciousness and animal consciousness, of imagination and reality, to create a "Journal of Fire," a recording of the process of living with the constant threat of the destruction of the natural world. And yet, it finds hope by making new connections that lead us toward a liberation from human domination, toward renewal and a vision of the future where humans and the natural world are integral parts of a whole, intermingling and interdependent, where human nature and animal nature are inclusive of each other.

Perhaps never before in the history of humankind has the disparity between Indigenous mind and Western mind been more on the pulse of what we must pay attention to in order to insure our survival. Deena Metzger has written a novel in which two people, who are from each side of this polarity, begin a loving relationship. Sandra Birdswell is a student of climatology with an uncanny ability to sense weather events. Her mother, who died in childbirth, is a mystery to her. Her father, John, formerly a Reservation doctor, faithfully raises her despite his limitations and obligations. She first meets Terrence, a Native man and a professor of climatology, at her university classes. Years later, they are drawn together by the powerful forces of their love, for the Earth, for each other, and their mutual need to seek out the broken links of their family histories.

Poetry arises from the search for sacred language that describes the awe and mystery of the real world. Deena Metzger is a contemporary poet who has aligned herself with this ancient tradition. This collection, that includes selections from her earlier books of poetry Dark Milk, The Axis Mundi Poems, Looking For the Faces of God, A Sabbath Among the Ruins and Skin: Shadows/Silence draws on her life s work, more than forty years of devotion to the word, and aligns itself with such a quest for meaning that has increasing urgency because of the spiritual and political ruins of our time. It is no longer sufficient, she believes, for the poet to be an unacknowledged legislator of the world, for the committed poet is called to engage with full heart in the continuous activity of restoration on behalf of beauty, wisdom and the natural world. Here we meet the articulate voices of the otherwise silenced, the voices of the animals, the land and the elementals, rain, wind fire and earth, and our responsibility to them. This book combines a searing look at the horrors that we permit, the anguish of human cruelty, brutality, and indulgence, but carrying the fierce determination to live, act, and write on behalf of the soul in all its manifestations. In this collection, despair is acknowledged but not indulged, as Metzger engages in the meticulous task of reconstructing a world, informed by the past and history as language demands, but, extracting ourselves from its violence and caprices, looking toward a viable future and all its unexpected possibilities.Poetry arises from the search for sacred language thatdescribes the awe and mystery of the realworld.Deena Metzger is a contemporarypoet who has aligned herself with this ancient tradition. This collection, thatincludes selections from her earlier books of poetry, and draws on her life swork, more than forty years of devotion to the word, and aligns itself withsuch a quest for meaning that has increasing urgency because of the spiritualand political ruins of our time.It isno longer sufficient, she believes, for the poet to be an unacknowledgedlegislator of the world, for the committed poet is called to engage with fullheart in the continuous activity of restoration on behalf of beauty, wisdom andthe natural world.Here we meet thearticulate voices of the otherwise silenced, the voices of the animals, theland and the elementals, rain, wind fire and earth, and our responsibility to them.This book combines a searing look at thehorrors that we permit, the anguish of human cruelty, brutality, andindulgence, but carrying the fierce determination to live, act, and write onbehalf of the soul in all its manifestations. In this collection, despair isacknowledged but not indulged, as Metzger engages in the meticulous task ofreconstructing a world, informed by the past and history as language demands, but, extracting ourselves from its violence and caprices, looking toward aviable future and all its unexpected possibilities."

Though women have long felt kinship with animals, in the past, they seldom participated in the study of them. Now, as more women make animals the subject of their investigations, significant new ideas are emerging--based on the premise that animals are honored co-sharers of the earth. This unprecedented anthology features original stories, essays, meditations, and poems by a vast array of women nature writers and field scientists, including:DIANE ACKERMAN - VIRGINIA COYLE - GRETEL EHRLICH - DIAN FOSSEY - TESS GALLAGHER - JANE GOODALL - TEMPLE GRANDIN - SUSAN GRIFFIN - JOY HARJO - BARBARA KINGSOLVER - URSULA LE GUIN - DENISE LEVERTOV - LINDA McCARRISTON - SUSAN CHERNAK McELROY - RIGOBERTA MENCHÚ - CYNTHIA MOSS - KATHERINE PAYNE - MARGE PIERCY - PATTIANN ROGERS - LINDA TELLINGTON-JONES - HAUNANI-KAY TRASK - GILLIAN VAN HOUTEN - TERRY TEMPEST WILLIAMS

In the tradition of Annie Dillard and Natalie Goldberg, this resource for writers and non-writers alike shows the act of writing to be a dynamic means of knowing, healing, and creating the body, mind, and spirit.