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This handbook defines the modes, practices, crucial literature, and research interests of this emerging field of Art and Science Studies.
The Desert Turned to Glass is a place where the cosmic and chthonic collide. Commemorating the centenary of the planetarium as an architectural type, this book collects a new body of work by acclaimed Canadian artist Charles Stankievech. Thematically, the project explores alternative theories concerning the origin of life, consciousness, and art-bridging the cosmological visions of cave art and the modern technology of the planetarium. Richly illustrated, the book pairs images of Stankievech's installations and cinematic works with newly commissioned writings by geologists, exobiologists, philosophers and archeologists. Spanning the abyss of space and the depths of the earth, The Desert Turned to Glass is an epic meditation on origins, endings, and infinity.CHARLES STANKIEVECH (*1978, Canada) is an artist redefining "fieldwork" at the convergence of geopolitics, deep ecologies, and sonic resonances. From the Arctic's northernmost settlement to the depths of the Pacific Ocean, Stankievech's practice uncovers the paradoxes of our existence on the planet by engaging with the imperceptible. He is Associate Professor at the University of Toronto.
The glacial environments of Iceland, Greenland, Mont Blanc and Switzerland appear as one sublime landscape in this interrogation of the artist as explorerFrench-Swiss artist and explorer Julian Charrière (born 1987) has long explored issues related to transformations in nature and the role humans play in such processes. In the cinematic work Towards No Earthly Pole, Charrière combines various ice landscapes into a sensual, poetic universe. The work relates to the current climate crisis through his engagement with the topography of glacial landscapes and the figure of the artist as investigator and explorer. To realize the film, the artist traveled with his team to some of the most inhospitable areas on earth. In his photographs, videos and objects, Charrière upends the images and concepts we have of these regions, appealing to our capacity to marvel at the world.
This book brings together science fiction, history, visual art, and exploration to reframe the relationship among climate, crisis, and creation. A Year Without a Winter presents stories by four renowned science fiction authors alongside critical essays, extracts from Mary Shelley's Frankenstein, and dispatches from extreme geographies.
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