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In contrasting styles and voices, Henry presents a mid-life rancher's protest against aging, a factory foreman's flight from grief, King Kong's seduction by Beauty, a writer's death-defying bungee jump, a police chief's humiliation, and a Philadelphia executive's breakdown during World War II. De Casibus is the lyrical motif.
A series of 21 sketches portraying Wayne, PA, in the 1940s and 1950s through the eyes of DeWitt Henry, award winning novelist, essayist, Emerson Professor, and co-founder of Ploughshares literary magazine.
In a collage of elegant, linked essays DeWitt Henry captures the pulse of his American generation-- partly offering a portrait of the artist, partly a man s pilgrimage of learning, growth and discovery through decades of social and cultural change.Against a background of suburban Philadelphia in the 1950s, and the family secret of his father s alcoholism, Henry comes of age as the youngest of four children. He rejects his father s course in managing the family chocolate factory for a third generation, and goes on to college, then to graduate school in the 1960s, becoming a writer and teacher. When Henry marries, and becomes a father himself, he is impacted by the social revolutions of the 1970s, and struggles to avoid his father s flaws. He leads a literary life in Boston, founds the literary magazine PLOUGHSHARES, teaches writing and literature, and befriends novelist Richard Yates. During 1980s, Henry suffers the deaths of his parents, infertility, rejections of his work, and setbacks in his teaching career. In the 1990s, while his daughter and adopted son are swept up into trials of adolescence and young adulthood, and as his wife grieves the deaths of friends and family, Henry confronts a spiritual abyss similar to his father s, and learns to surrender to life, to love, to aging and mortality.The drama of SAFE SUICIDE is the writer s mid-life quest for psychological and spiritual truth. By turns lyrical, quirky, confessional, and experimental in form, Henry s essays build into an affirming and generous vision. While addiction, the uses of imagination, a passion for literature, and issues of heart and soul are key motifs, a bungee jump becomes Henry s central metaphor: isn t this life? isn t this art? We live and trust in our safe suicides. "
Be warned! The far-ranging notes and essays of Sweet Marjoram are addictive. Once I began reading, I couldn't stop. I wanted more of Henry's wit and wisdom, his dazzling, surprising juxtapositions. I wanted to see him keep making the familiar new, and the strange familiar. Whether he's writing about folly or time or food or meat or envy or appetite, Henry has a gift for making his reader see the world afresh. A delightful and highly original collection.-Margot Livesey
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