Bøger af Djuna Barnes

Natteskov fra 1936 af Djuna Barnes er syvende bind i Turbines klassikerserie.Natteskov er på en og samme tid en roman, som udfolder skyggetilværelsen i mellemkrigstidens store europæiske byer Paris, Wien og Berlin i al deres dekadence, og som ligeledes beskriver et homoseksuelt kærlighedsforhold i detaljer. Forholdet mellem den unge amerikaner Robin Vote og hendes elskerinder Nora Flood og Jenny Petherbridge danner et udpenslet bagtæppe til Barnes’ modernistiske intensitet, som har gjort Natteskov til en af de mest hyldede og læste romaner om lesbiske forhold.Sagt om Natteskov:”Et af de bedste prosaværker nogensinde skrevet”Dylan Thomas”En af de bedste romaner i det 20. århundrede”William S. Burroughs

Nightwood is not only a classic of modernist literature, but was also acknowledged by T. S. Eliot as one of the great novels of the 20th century. Eliot admired Djuna Barnes' rich, evocative language. Barnes told a friend that Nightwood was written with her own blood 'while it was still running.' That flowing wound was the breakup of an eight-year relationship with the love of her life.Now recognised as a twentieth-century classic, the influence of Djuna Barnes's novel has been, and continues to be, exceptional.

The best of Djuna Barnes’s dark, droll, incisive short fiction, spanning her all-too-brief career, edited and introduced by Merve Emre.Djuna Barnes is rightly remembered for Nightwood, her breakthrough and final novel: a hallmark of modernist literature, championed by T. S. Eliot, and one of the first, strangest, and most brilliant novels of love between women to be published in the twentieth century. Barnes’s career began long before Nightwood, however, with journalism, essays, drama, and satire of extraordinary wit and courage. Long into her later life, after World War II, when she published nothing more, it was her short fiction above all that she prized and would continue to revise. Here are all the stories Barnes sought to preserve, in the versions she preferred, as well as a smattering of rarities as selected by critic and New Yorker contributor Merve Emre. These are tales of women “‘tragique’ and ‘triste’ and ‘tremendous’ all at once,” of sons and daughters being initiated into the ugly comedy of life, monuments all to a worldview singular and scathing. As Emre writes in her foreword, “[Barnes’s] themes are love and death, especially in Paris and New York; the corruption of nature by culture; the tainted innocence of children; and the mute misery of beasts . . . her characters may be alien to life, but they are alive—spectacularly, grotesquely alive.”

The Ladies Almanack is a novel written by Djuna Barnes, originally published in 1928. It is a satirical account of the lesbian community in Paris during the 1920s, and is presented as a fictional almanac. The book is divided into twelve months, with each month featuring a different woman from the community, and includes illustrations and poetry. The book is known for its unique style, which combines prose, poetry, and illustrations, and for its humorous and irreverent tone. It is also notable for its portrayal of lesbian relationships and sexuality, which was groundbreaking for its time. The Ladies Almanack has been praised for its wit, its celebration of female friendship and sexuality, and its contribution to the literary canon of LGBTQ+ literature. It remains a classic of lesbian literature and a must-read for anyone interested in the history of LGBTQ+ writing.Oh Zeus! Oh Diane! Oh Hellebore! Oh Absalom! Oh Piscary Right! What shall I do with it! To have been the First, that alone would have gifted me! As it is, shall I not pour ashes upon my Head, gird me in Sackcloth, covering my Nothing and Despair under a Mountain of Cinders, and thus become a Monument to No-Ability for her sake?This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

A reprint of an early short story collection by the Modernist author of Nightwood, Djuna Barnes.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

"Lesbianism, its flories and sorows, is the subject and quest of this marvelously perverse sentimental journey by Nightwood's author... A striking lesbian manifesto and a deft parody." —Library JournalBlending fiction, myth, and revisionary parody and accompanied by the author's delightful illustrations, Ladies Almanack is a brilliant modernist composition and arguably the most audacious lesbian text of its time. While the book pokes fun at the wealthy Paris expatriates who were Barnes' literary contemporaries and remains controversial today, it seems to have delighted its cast of characters, which was also the first audience. Arranged by month, it records the life and loves of Dame Evangeline Musset in a robust style taken from Shakespeare and Robert Burton's Anatomy of Melancholy. Published for the first time in decades, this edition features original illustrations by the author.

This work is a novel in which real persons or actual events figure under disguise. Its subject is the predominantly lesbian social circle centering on Natalie Clifford Barney's salon in Paris in the 1920s. The language, inside jokes and ambiguity of the work have kept critics arguing about whether it is an affectionate satire or a bitter attack, but Barney herself loved the book and re-read it throughout her life.

The book "" A Book , has been considered important throughout the human history, and so that this work is never forgotten we have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies and hence the text is clear and readable.

Faber Stories, a landmark series of individual volumes, presents masters of the short story form at work in a range of genres and styles.

The self-described "most famous unknown author in the world," Djuna Barnes (1892-1982) is increasingly regarded as an important voice of feminism, modernism, and lesbian culture. Best remembered for her 1936 novel Nightwood, Barnes began her career by writing poetry, short stories, and articles for avant-garde literary journals as well as popular magazines. She took the grotesque nature of reality as her recurrent theme, a pessimistic world view frequently brightened by her sparkling wit. A longtime resident of Greenwich Village, Barnes drew inspiration from the bustling streets of Lower Manhattan, and this eclectic compilation of her early journalism, fiction, and poetry recaptures the vitality of her bohemian literary scene. The collection opens with articles ranging from an account of an evening at the Arcadia, a "modern dance hall," to a firsthand report of the force-feeding endured by suffragettes in 1914. In addition to profiles of a postman, vaudeville performer, and other local personalities, Barnes interviews Lillian Russell and Alfred Stieglitz and describes an encounter with James Joyce. A dozen short stories follow, and the book concludes with a selection of compelling and sensual poetry, including verse from The Book of Repulsive Women. A selection of the author's original illustrations is included.www.doverpublications.com

Nightwood, Djuna Barnes' strange and sinuous tour de force, "belongs to that small class of books that somehow reflect a time or an epoch" (Times Literary Supplement). That time is the period between the two World Wars, and Barnes' novel unfolds in the decadent shadows of Europe's great cities, Paris, Berlin, and Vienna-a world in which the boundaries of class, religion, and sexuality are bold but surprisingly porous.The outsized characters who inhabit this world are some of the most memorable in all of fiction-there is Guido Volkbein, the Wandering Jew and son of a self-proclaimed baron; Robin Vote, the American expatriate who marries him and then engages in a series of affairs, first with Nora Flood and then with Jenny Petherbridge, driving all of her lovers to distraction with her passion for wandering alone in the night; and there is Dr. Matthew-Mighty-Grain-of-Salt-Dante-O'Connor, a transvestite and ostensible gynecologist, whose digressive speeches brim with fury, keen insights, and surprising allusions. Barnes' depiction of these characters and their relationships (Nora says, "A man is another persona woman is yourself, caught as you turn in panic; on her mouth you kiss your own") has made the novel a landmark of feminist and lesbian literature.Most striking of all is Barnes' unparalleled stylistic innovation, which led T. S. Eliot to proclaim the book "so good a novel that only sensibilities trained on poetry can wholly appreciate it." Now with a new preface by Jeanette Winterson, Nightwood still crackles with the same electric charge it had on its first publication in 1936.

Offers a parody accompanied by the author's illustrations. This book pokes fun at the wealthy expatriates who were author's literary contemporaries and remains controversial today, it seems to have delighted its cast of characters, which was also the first audience.

Djuna Barnes (1892-1982) once described herself as the most famous unknown writer, and although her novel "Nightwood" is celebrated, her poetry has been a well-kept secret. This selection contains work written between 1914 and the 1970s.