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The State of the Novel offers a lively yet rigorous investigation into the present state of the contemporary novel--in Britain and beyond--and some speculation about its future. Against the backdrop of globalization, Dominic Head establishes the interests shared by contemporary theorists, cultural commentators, and consumers of novels.
The modernist period saw a revolution in fictional practice, most famously in the work of novelists such as Joyce and Woolf. Dominic Head shows that the short story, with its particular stress on literary artifice, was a central site for modernist innovation.
Dominic Head discusses Nadine Gordimer's novels in the contexts of events and situations of the real world, and of Gordimer's own development as a writer. Her work is seen as a distinctive contribution to twentieth-century fiction, and to the creation of a literature that challenges apartheid.
This book examines the persistence of the rural tradition in the English novel into the twentieth century. In the shadow of metropolitan literary culture, rural writing can seem to strive for a fantasy version of England with no compelling social or historical relevance. Dominic Head argues that the apparent disconnection is, in itself, a response to modernity rather than a refusal to engage with it, and that the important writers in this tradition have had a significant bearing on the trajectory of English cultural life through the twentieth century. At the heart of the discussion is the English rural regional novel of the 1920s and 1930s, which reveals significant points of overlap with mainstream literary culture and the legacies of modernism. Rural writers refashioned the conventions of the tradition and the effects of literary nostalgia, to produce the swansong of a fading genre with resonances that are still relevant today.
The most up-to-date survey of the leading British novelist of his generation, offering the fullest account to date of McEwan's sources, especially concerning his interest in popular science.
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