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In 1857, following the publication of Madame Bovary, Flaubert was charged with having committed an "e;outrage to public morality and religion."e; Dominick LaCapra, an intellectual historian with wide-ranging literary interests, here examines this remarkable trial. LaCapra draws on material from Flaubert's correspondence, the work of literary critics, and Jean-Paul Sartre's analysis of Flaubert. LaCapra maintains that Madame Bovary is at the intersection of the traditional and the modern novel, simultaneously invoking conventional expectations and subverting them.
To what extent do we and can we understand others-other peoples, species, times, and places? What is the role of others within ourselves, epitomized in the notion of unconscious forces? Can we come to terms with our internalized others in ways that foster mutual understanding and counteract the tendency to scapegoat, project, victimize, and...
This updated edition includes a substantive new preface that reconsiders some of the issues raised in the book.
Dominick LaCapra, an intellectual historian well versed in literary theory and methodology, here addresses the complex role of the novel in history and criticism, seeking to establish a few guiding principles for the study of the historicity of literature.
In this book, Dominick LaCapra continues his exploration of the complex relations between history and literature, considering history as both process and representation.
Dominick LaCapra's History and Its Limits articulates the relations among intellectual history, cultural history, and critical theory, examining the recent rise of "Practice Theory" and probing the limitations of prevalent forms of humanism.
The relations between memory and history have recently become a subject of contention, and the implications of that debate are particularly troubling for aesthetic, ethical, and political issues. Dominick LaCapra focuses on the interactions among history, memory, and ethicopolitical concerns...
LaCapra addresses the ongoing concern with the application of theory to contemporary historical research and analysis through a comparison of two authors seldom read together: Alexis de Tocqueville and Michel Foucault.
In a series of essays-three published here for the first time-LaCapra explores the problems faced by historians, critics, and thinkers who attempt to grasp the Holocaust.
An exploration of the links within the study of history between experience and identity, history and various theories of subjectivity, extreme events and their representation, institutional structures and the knowledge produced within them.
"LaCapra offers an intriguing collection of essays to support both his enthusiasm for intellectual history... and his concern about the 'excesses' he finds in techniques and practices of the new social history. Admitting that the essays...
Dominick LaCapra calls for a new view of intellectual history-one that will revitalize the importance of reading and interpreting significant texts. In ten essays, he reformulates the problem of the relation between the "great" texts of the Western...
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