Bøger af Donna Yates

"Lessons Learned" is a collection of short stories written by Donna Yates. Each story deals with the importance of being true to one's own system of values, whether that system speaks of love, life, or anything that may fall in between. We all face those moments when we must decide, before we take action, to either listen to our hearts or ignore what we know to be right. "Lessons Learned" is about making those decisions and living with the consequences of actions taken based upon them. sometimes the consequences of our actions are fulfilling, sad, and sometimes downright funny. When we are willing to open our eyes to all that life has to offer, how can we NOT learn from life's lessons?

This book brings together empirical and theoretical case-study research on art and heritage crime. Drawn from a diverse group of researchers and professionals, the work presented explores contemporary conceptualisations of art crime within broader contexts. In this volume, we see 'art' in its usual forms for art crime scholarship: in paintings and antiquities. However, we also see art in fossils and in violins, chairs and jewellery, holes in the ground and even in the institutions meant to protect any, or all, of the above. And where there is art, there is crime. Chapters in this volume, alternatively, zoom in on specific objects, on specific locations, and on specific institutions, considering how each interact with the various conceptions of crime that exist in those contexts. This volume challenges the boundaries of what we understand as "e;art and heritage crimes"e; and displays that both art, and criminality related to art, is creative and unpredictable.

This volume brings together work by authors who draw upon sociological and criminological methods, theory, and frameworks, to produce research that pushes boundaries, considers new questions, and reshape the existing understanding of "e;art crimes"e;, with a strong emphasis on methodological innovation and novel theory application. Criminologists and sociologists are poorly represented in academic discourse on art and culture related crimes. However, to understand topics like theft, security, trafficking, forgery, vandalism, offender motivation, the efficacy of and results of policy interventions, and the effects art crimes have on communities, we must develop the theoretical and methodological models we use for analyses. The readership of this book is expected to include academics, researchers, and practitioners in the fields of criminology, sociology, law, and heritage studies who have an interest in art and heritage crime.