Bøger af Dubravka Ugresic

Winner of the Neustadt International Prize for LiteratureAs with the rest of her literary career, Dubravka Ugresic's final work, A Muzzle for Witches, is uncategorizable. On its surface, the book is a conversation with the literary critic Merima Omeragić, covering topics such as "Women and the Male Perspective," "The Culture of (Self)Harm," and "The Melancholy of Vanishing." But the book is more than a simple interview: It's a roadmap of the literary world, exploring the past century and all of its violence and turmoil—especially in Yugoslavia, Ugresic's birth country—and providing a direction for the future of feminist writing. One of the greatest thinkers of the past hundred years, Ugresic was one-of-a-kind, who novels and literary essays pushed the bounds of form and content, and A Muzzle for Witches offers the chance to see her at her most raw, and most playful.

"The Culture of Lies is one of the most intelligent and lucid accounts of an appalling episode in history. It shows us the banality and brutality of nationalism and the way that nationalistic ideology permeates every pore of life."--

From the author of Baba Yaga Laid an Egg and Thank You for Not ReadingFrom the story of Steffie Cvek to "The Kharms Case," the pieces in Dubravka Ugresic's collection Lend Me Your Character are always smart and endlessly entertaining. The former story paints a picture of a harassed and vulnerable typist whose life is shaped entirely by cliches. She searches endlessly for an elusive romantic love in a narrative punctuated by threadbare advice from women's magazines and constructed like a sewing pattern. The latter story is one of Ugresic's funniest and is about the strained relationship between a persistent translator and an unresponsive publisher. The stories collected in Lend Me Your Character, the novella "Steffie Cvek in the Jaws of Life," and a collection of short stories entitled "Life Is a Fairy Tale" solidify Ugresic's reputation as one of Eastern Europe's most playful and inventive writers."

Having fled the violent breakup of Yugoslavia, Tanja Lucic is now a professor of literature at the University of Amsterdam, where she teaches a class filled with other young Yugoslav exiles, most of whom earn meager wages assembling leather and rubber S&M clothing at a sweatshop they call the "Ministry." Abandoning literature, Tanja encourages her students to indulge their "Yugonostalgia" in essays about their personal experiences during their homeland's cultural and physical disintegration. But Tanja's act of academic rebellion incites the rage of one renegade member of her class--and pulls her dangerously close to another--which, in turn, exacerbates the tensions of a life in exile that has now begun to spiral seriously out of control.

"e;Ugresic is sharp, funny and unafraid. . . . Orwell would approve."e;Times Literary SupplementHurtling between Weltschmerz and wit, drollness and diatribe, entropy and enchantment, it's the juxtaposition at the heart of Dubravka Ugresic's writings that saw Ruth Franklin dub her "e;the fantasy cultural studies professor you never had."e; In Europe in Sepia, Ugresic, ever the flneur, wanders from the Midwest to Zuccotti Park, the Irish Aran Islands to Jerusalem's Mea Shearim, from the tristesse of Dutch housing estates to the riots of south London, charting everything from the listlessness of Central Europe to the ennui of the Low Countries. One finger on the pulse of an exhausted Europe, another in the wounds of postindustrial America, Ugresic trawls the fallout of political failure and the detritus of popular culture, mining each for revelation.Infused with compassion and melancholic doubt, Europe in Sepia centers on the disappearance of the future, the anxiety that no new utopian visions have emerged from the ruins of communism; that ours is a time of irreducible nostalgia, our surrender to pastism complete. Punctuated by the levity of Ugresic's raucous instinct for the absurd, despair has seldom been so beguiling.Dubravka Ugresic is the author of several works of fiction and several essay collections, including the NBCC award finalist, Karaoke Culture. She went into exile from Croatia after being label a "e;witch"e; for her anti-nationalistic stance during the Yugoslav war. She now resides in the Netherlands.David Williams did his doctoral research on the post-Yugoslav writings of Dubravka Ugresic and the idea of a "e;literature of the Eastern European ruins."e; He is the author of Writing Postcommunism.

Finalist for the NBCC award for Criticism."e;Ugresic is sharp, funny and unafraid. . . . Orwell would approve."e;Times Literary SupplementOver the past three decades, Dubravka Ugresic has established herself as one of Europe"e;s greatestand most entertainingthinkers and creators, and it's in her essays that Ugresic is at her sharpest. With laser focus, she pierces our pop culture, dissecting the absurdity of daily life with a wit and style that's all her own.Whether it's commentary on jaded youth, the ways technology has made us soft in the head, or how wrestling a hotel minibar into a bathtub is the best way to stick it to The Man, Ugresic writes with unmatched honesty and panache. Karaoke Culture is full of candid, personal, and opinionated accounts of topics ranging from the baffling worldwide-pop-culture phenomena to the detriments of conformist nationalism. Sarcastic, biting, and, at times, even heartbreaking, this new collection of essays fully captures the outspoken brilliance of Ugresic's insights into our modern world's culture and conformism, the many ways in which it is ridiculous, and how (deep, deep down) we are all true suckers for it.Dubravka Ugresic is the author of several works of fiction and several essay collections, including the NBCC award finalist, Karaoke Culture. She went into exile from Croatia after being label a "e;witch"e; for her anti-nationalistic stance during the Yugoslav war. She now resides in the Netherlands.David Williams did his doctoral research on the post-Yugoslav writings of Dubravka Ugresic and the idea of a "e;literature of the Eastern European ruins."e; He is the author of Writing Postcommunism.

Dubravka Ugresic retells the myth of Baba Yaga - one of the most famous stories in Russian and Eastern European mythology

Taking us on travels through Europe, and across to the US, this book offers perspectives on literature, geopolitics, East and West. It also says that while the Eastern bloc is gripped by Western modernization, the West is becoming increasingly Sovietized, with Internet banking, speed dating and automatic supermarket checkouts.

"Splendidly ambitious . . . A brilliant, enthralling spread of story-telling and high-velocity reflections. In her indignation and in her sorrow Ugresic speaks for many people, many experiences. She is a writer to follow. A writer to be cherished." Susan Sontag