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This book interrogates the interrelationship between culture and politics during the Spanish transition to democracy. Drawing on both high and popular culture, it critically interrogates the stakes of the Transition and reveals how its consequences continue to inform political debate. -- .
This is the first monograph on the performance and reception of sixteenth- and seventeenth- century national drama in contemporary Spain, which attempts to remedy the traditional absence of performance-based approaches in Golden Age studies. The book contextualises the socio-historical background to the modern-day performance of the country's three major Spanish baroque playwrights (Calderon de la Barca, Lope de Vega and Tirso de Molina), whilst also providing detailed aesthetic analyses of individual stage and screen adaptations.
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