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The purpose of the book is to explore and explicate the origins, evolution and mobilisation of anti-war activism in Ireland from the 1950s. The author applies postcolonial critical perspectives alongside social movement theory to define the multifaceted Irish approach to different international conflicts from the creation of the Irish Campaign for Nuclear Disarmament (1958) to the current war in Ukraine. Meticulously researched, the chapters develop an analysis of the anti-war activism in Ireland, be it at a local, national or supranational level, from political parties, trade unions and civil associations. The book casts light on the factors that structure the Irish domestication of the conflicts under study, be they historical and connected to senses of national identity in the Irish Republic and Northern Ireland, or strategic, diplomatic and religious.
This book focuses on the most successful feature films of John Carney, namely Once (2006), Begin Again (2013) and Sing Street (2016). Drawing on narrative, formalist and genre theories of film, the book presents an in-depth examination of how the formal and stylistic choices made by Carney allow each film to narrate a story in a coherent way. It shows how aural and visual contrivances are hidden behind a façade of realism, and how the films engage with universal, national and personal concerns and also how they relate to each other and to Irish and American film in general. It also explores the textual articulation of genre in each and the discrepancies between such articulation, the genre expectations set up by the promotional discourse coming from the publicity materials and events accompanying each release, and the genre labelling of each film in contemporary reviews by professional critics from the United States, Canada, Great Britain, and Ireland.
This book of essays will appeal to anyone interested in the dismantling of Ireland's cultural attachment to Catholicism over the past four decades. -- .
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