Bøger af Edouard Chavannes

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

« Les bienfaits du Ciel et de la Terre se répartissent avec égalité entre les quatre saisons ; la sage conduite du roi souverain s¿exerce sans partialité envers les dix mille sortes d¿êtres ; c¿est ainsi qüon peut soutenir et nourrir la foule du peuple, couvrir et protéger le p.6 territoire des Hia 1 ; les ordres et les instructions (de ce souverain parfait) atteignent tous les êtres jusque dans T¿ong-ngo chad était le frère cadet de Hi-li-pi tou-lou kagan; il lui succéda après sa mort sous le nom de Cha-po-lo ti-li-che kagan (Cf. Documents, p. 55, au bas de la page). Le témoignage du Tch¿e fou yuen koei, qui indique une ambassade de Hi-li-pi tou-lou kagan en 633 et une ambassade de T¿ong-ngo chad en 635, nous permet de placer entre ces deux dates la mort du premier et l¿avènement du second.les contrées reculées ; les titres et les dignités qüil confère ne sont pas omises lorsqüil s¿agit d¿hommes aux m¿urs étrangères. Le (chef des) Sie-yen-t¿o (Syr Tardouch) Tchen-tchou p¿i-kia (bilgä) kagan 2, sa personne est profondément brave, sa sagesse est brillamment réelle ; depuis longtemps il a vu les vicissitudes des temps ; de bonne heure il a reçu notre calendrier 3. Sa sincérité loyale et sa haute vertu ont réussi à se manifester au-delà de notre frontière. Ses tributs et ses offrandes n¿ont jamais cessé de venir au palais impérial ; de plus il a parfaitement instruit ses descendants et maintenu l¿harmonie dans son peuple ; tous à sa suite s¿acquittent des devoirs de protection qui leur incombent et tous aiment et admirent l¿influence de la cour. Ses fils Cha-tan-mi che-hou (jabgou) Pa-tcheou et Ta-tou (tardou) mo-ho-tou (bagatour) cho (chad) Hie-li-pi, ont tous deux une volonté portée sur ce qui est réellement bon, une énergie pleine d¿effective vaillance. L¿un, épuisant ses sentiments de loyalisme, chérit dans son c¿ur la cour impériale ; l¿autre venant de loin pour assister aux audiences de l¿empereur, s¿est prosterné devant son trône.

Le décor dans l¿art populaire chinois est presque toujours symbolique ; il exprime des v¿ux. Pour constater la vérité de cette proposition, il suffit de jeter les yeux sur les objets qui sont à l¿usage de tous, tels que les porcelaines, les broderies, le papier à lettres, les amulettes ; partout nous verrons se reproduire des motifs d¿ornementation qui ont un sens ; ce sens peut être plus ou moins caché, mais il importe de le découvrir si l¿on veut comprendre la raison d¿être du décor lui-même.Pour rendre notre étude plus claire, nous commencerons par analyser l¿un après l¿autre les divers procédés par lesquels l¿idée s¿exprime ; nous chercherons ensuite à énumérer et à classer ces idées elles-mêmes.Un premier mode d¿expression de l¿idée consistera à écrire purement et simplement les mots qui la signifient. L¿écriture chinoise, avec la grande élégance de ses caractères et la variété des formes qüon peut leur donner, se prête d¿ailleurs admirablement à servir d¿ornement ; nous trouvons donc de nombreux objets dans lesquels l¿écriture seule sert de décor ; tels sont ces vases sur lesquels on lit le caractère cheou ¿¿longévité¿¿, répété cent fois, sous des formes cent fois différentes.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Documents Sur Les Tou-Kiue (Turcs) Occidentaux Édouard Chavannes Commissionnaires de l'Académie impériale des sciences, 1903 Turks

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

" Dans un livre intitulé : « Documents sur les Tou-kiue (Turcs) occidentaux », publié en 1903 par l¿Académie des Sciences de Saint-Pétersbourg, j¿ai eu l¿occasion de citer quelques extraits de la grande encyclopédie Tch¿e fou yuen koei rédigée vers l¿an 1013 par une commission de lettrés. Il m¿a paru utile de compléter ce travail en traduisant tous les textes qui, dans cette encyclopédie, peuvent intéresser l¿histoire des Tou-kiue occidentaux. Tel est l¿objet du présent article." Édouard Chavannes1, né à Lyon le 5 octobre 1865 et mort à Paris le 29 janvier 1918, est un archéologue et sinologue français. Érudit prolifique et influent, Chavannes fut l¿un des sinologues les plus accomplis de l¿ère moderne et, malgré son décès relativement précoce en 1918 à l'âge de 52 ans, est le digne successeur des grands noms de la sinologie française du xixe siècle, tels que Jean-Pierre Abel-Rémusat et Stanislas Julien. C'est en grande partie grâce à son travail que la sinologie est devenue une discipline respectée au sein des sciences humaines françaises.

" Le décor dans l¿art populaire chinois est presque toujours symbolique ; il exprime des v¿ux. Pour constater la vérité de cette proposition, il suffit de jeter les yeux sur les objets qui sont à l¿usage de tous, tels que les porcelaines, les broderies, le papier à lettres, les amulettes ; partout nous verrons se reproduire des motifs d¿ornementation qui ont un sens ; ce sens peut être plus ou moins caché, mais il importe de le découvrir si l¿on veut comprendre la raison d¿être du décor lui-même. Pour rendre notre étude plus claire, nous commencerons par analyser l¿un après l¿autre les divers procédés par lesquels l¿idée s¿exprime ; nous chercherons ensuite à énumérer et à classer ces idées elles-mêmes." Édouard Chavannes, né à Lyon le 5 octobre 1865 et mort à Paris le 29 janvier 1918, est un archéologue et sinologue français.