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"Theorem began in the summer of 2017, when Chicago-based visual artist Antonia Contro (www.antoniacontro.com) and Elizabeth Bradfield decided to collaborate. Following each other, responding to each other's creations, over the course of two years Bradfield and Contro created a visual, tactile, and lyric experience in book form." --Provided by publisher.
Natural history, work, queerness, and family collide in Interpretive Work. When they do, a deep stubborn will emerges, a belief in the unexpected beauty of the world "flaws and all. The poems of this collection foreground the role of the viewer" the interpreter "smudging self across what's seen."From neighborhood kids cussing in the cul-de-sac to marbled murrelets calling in Southeast Alaska, the poems of this book reach toward a moment where one finds "this unsettlement, / this beauty applauded at last."Bradfield delivers her bruised truths through a quiet honesty that stands in ardent defense of mainstream normative expectations. A male singer has a woman's high, sweet voice, redefining beauty. A female deer grows antlers. A woman chooses to be child-free without regret. As a whole, these poems furtively suggest that the tourist on the sunset cruise ship misinterprets the cravings of humpback whales in the same way Bradfield's family, neighbors and bureaucratic officials misunderstand love, sexuality and gender.
This collection portrays the gripping history of polar exploration by channeling its most notable figures-Symmes, Mawson, Scott, Cherry-Garrard, Byrd, and Shackleton among them. From their perspectives and her own, Elizabeth Bradfield relays the wonders and dangers, physical and mental, encountered while endeavoring to reach the earth's least-hospitable regions.
"e;The most original piece of travel writing about the Antarctic region I have read in years . . . Bradfield is a literary tour guide in the best sense."e; -Elizabeth Leane, author of Antarctica in Fiction: Imaginative Narratives of the Far SouthA poet and a naturalist, Elizabeth Bradfield documents and examines her work as a guide on ships in Antarctica through poetry, prose, and photographs, offering an incisive insider's vision that challenges traditional tropes of The Last Continent.Inspired by haibun, a stylistic form of Japanese poetry invented by seventeenth-century poet Matsuo Basho to chronicle his journeys in remote Japan, Bradfield uses photographs, compressed prose, and short poems to examine our relationship to remoteness, discovery, expertise, awe, labor, temporary societies, "e;pure"e; landscapes, and tourism's service economy. Antarctica was the focus of Bradfield's Approaching Ice, written before she had set foot on the continent; now Toward Antarctica furthers her investigation with boots on the ground. A complicated love letter, Toward Antarctica offers a unique view of one of the world's most iconic wild places.Like having a poet's behind-the-scenes tour of a natural history museum . . . the exquisite landscape and wildlife come into vivid view; so does the gutsy work and responsibility of being a naturalist guide."e; -Alison Hawthorne Deming, author of Zoologies: On Animals and the Human Spirit
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