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The Clayborn clan has been waiting 25 years to divvy up Grandmama's fortune, locked up by her will and in a small room in the Clayborn mansion. Tomorrow The Room is to be opened, and the Clayborns can't wait to get their fingers on the old lady's reportedly priceless button collection. Harriet Clayborn, who doesn't quite trust her family, asks Henry Gammadge to witness the Opening of The Room, to make sure there's no funny business. Gammadge agrees, and it's a good thing this masterful sleuth is on hand: the Room has been hiding something grislier than buttons
Alice Dunbar was a very proper upper East Side woman with a very boring life. There is, in fact, absolutely no reason anyone can think of for Alice to go missing, and yet that's exactly what she does, shortly after the death of an elderly aunt. Henry Gamadge thinks there's more to the story, and as he tracks down Alice's last trip, he turns up a secret life no one suspected. Originally published in 1949.
It was windy and the waves were pretty big. I was drinkingmy afternoon co'ee on the main deck when I heard the alarm.The alarm only turns on when something unfortunate happens.I putthe coffee down on a little wooden table and walk inside the captain'sroom.
This last mystery in the "Henry Gamadge" series set in 1940s New York was originally published in 1951. Henry must help Rena Austen, newly wed, who has decided her marriage was a big mistake, and has fled her husband's gloomy Upper East Side house in fear for her life.
Just about any of the guests at Johnny Redfield's party seems to have a good reason to have killed the guest of honor, Johnny's Californian aunt who, with her astral name and vague pretensions of mysticism, does not exactly blend in the elegant New York atmosphere that surrounds her. And what's more, no one has a solid alibi. It will take all of Henry Gamadge's ingenuity to figure out this closed-room mystery.
Henry Gamadge investigates the death of a state trooper and the poisoning of three children by nightshade, proving that the murders are all related and, in the process, unearthing a few scandals as well.
An etching in the Ashbury mansion has suddenly acquired an inscription dated 1793. Miss Julia Paxton knows there was never anything written on that portrait until the visit of professional medium Iris Vance. Are the dead sending messages? And will Henry Gamadge, who is pretty certain the answer does not lie in the supernatural realm, solve the mystery before a murder occurs?
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