Bøger af Elizabeth J Colen

If I were Colen's agent, I'd pitch these poems to a movie producer as "David Lynch meets Gertrude Stein." Money for Sunsets, like Tender Buttons, is syntactically rich and varied, using fragments, repetition, and word associations.If I were Colen's agent, I might not mention her complicated and smartobservations on women, violence, and money - since I'm assuming that most movie producers are capitalists. In "Des Oeufs," Colen writes, "A naked woman as a motif is too easy." Too easy, indeed. Innovative and evocative, these poems have arrived at just the right cultural moment. And I, for one, am grateful they're here. - Denise Duhamel, Judge, 2009 Steel Toe Books Prize in Poetry

Fiction. THEY COULD NO LONGER CONTAIN THEMSELVES contains but just barely five chapbooks of flash fiction, including the winner of the third annual Rose Metal Press short short chapbook contest, and four of the finalists from the fourth. Dropped toddlers, attempted drownings, juvenile promiscuity, road trips, and inappropriate therapy sessions compose the multi-voiced family portrait in Dear Mother Monster, Dear Daughter Mistake by Elizabeth J. Colen. Yoga stalkers, guns and gold, babies with iron stomachs, drunkards with t-shirt cannons, and warlocks are the stuff of Do Not Touch Me Not Now Not Ever by John Jodzio. Dominatrixes and fetishists, face paint and goo, fierce parental love and perverse longings cohabitate in Evan's House and the Other Boys Who Live There by Tim Jones-Yelvington. Leukemia, meteorites, Wal-Mart, bocce ball, Charlie Brown's clinical depression, the language of talking crows and of Che Guevara's omelets fill the eggs in How Some People Like Their Eggs by Sean Lovelace. And smallstories about pretty girls who sit quietly and behave themselves (or not) populate the pages of Paper and Tassels by Mary Miller."