Bøger af Ellen Rosand

Claudio Monteverdi's Venetian Operas features chapters by a group of scholars and performers of varied backgrounds and specialties, who confront the various questions raised by Monteverdi's late operas from an interdisciplinary perspective.

This collection of studies represents the range of Rosand's contribution to the history and criticism of music of the seventeenth and eighteenth centuries. Varied in focus and scope, each of these studies is directed toward developing an understanding of the ways in which music works. Taken together, the articles demonstrate how Rosand has opened entirely new prospects on seventeenth-century music and offered new insight into the more canonical repertoire of the eighteenth century.

A facsimile edition of Lady Eleanor Davies' pre-1640 texts. It features 60 texts from the corpus of 66 printed between 1641 and 1652.

Claudio Monteverdi was the first important composer of opera. This work examines the composer's celebrated final works - "Il ritorno d'Ulisse" and "L'incoronazione di Poppea". It casts light on the conflict between a world of emotional propriety and restraint and one of hedonistic abandon.

Shows how opera took root in the social and economic environment of seventeenth-century Venice and there developed the stylistic and aesthetic characteristics we recognize as opera. This book examines critically the literary and musical documentation left by the Venetian makers of opera. It explains the mechanics of the proliferation of opera.