Bøger af Emile Faguet

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ The Cult Of Incompetence: Translated From The French By BeatriceBarstow, With An Introduction By Thomas Mackay 2 emile Faguet Dutton, 1912 Democracy; France; Inefficiency, Intellectual; Mental efficiency; Stupidity

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

On sait que la Providence s'amuse, le monde, à ce qu'assurent les Védas, étant une des trente-quatre comédies qui servent à ses plaisirs. Elle a des divertissements malicieux. Elle se plaît à dérouter nos prévisions et à confondre nos calculs. Un de ses tours assez fréquents est de déplacer, pour ainsi parler, les hommes d'esprit, de mettre en un siècle tel homme qui était fait évidemment pour être d'un autre, et qui, dans celui où il naît, est tout dérouté et ne se reconnaît pas lui-même. Cette mésaventure, qui n'est pas sans compensation, est arrivée à Stendhal. C'est un déplacé. Il est, dans notre première moitié du XIXe siècle, comme dans une maison dont il ne connaît pas les êtres, et dans un costume qu'il n'était point fait pour porter. Il en a gardé de l'humeur, et y a contracté une certaine bizarrerie, et d'assez mauvaises façons; mais il n'en est pas moins très intéressant. Les déplacés sont aussi curieux à étudier que les déclassés. Stendhal, qui a été un peu l'un et l'autre, excite et renouvelle constamment l'attention. On cherche chez lui l'effet qu'a pu faire, sur un homme de valeur du reste, un temps qui lui était contraire, et dont il était presque le contraire même. C'est un témoin véridique et désorienté. On sent qu'il ne peut pas dire des choses banales, et, en effet, ce n'est point son défaut. Interrogeons donc cet étranger, questionnons cet anachronisme, cet homme qui était comme forcé d'être original, et qui, en effet, l'a été, malgré l'effort continuel qu'il faisait pour l'être...

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Théophile de Viau ou de Viaud, qui, de son temps même, était appelé couramment Théophile, et qui signait ainsi lui-même ses lettres et ses préfaces, était né en 1590 à Clairac en Agénois (Lot-et-Garonne). On l'accusait d'être plébéien, très plébéien, fils d'un cabaretier, comme plus tard Rivarol. Il assurait, - et maintenant c'est à peu près prouvé, - qu'il était noble, fils d'un jurisconsulte et petit-fils d'un secrétaire de la reine de Navarre. Les Viau-Bellegarde actuels ont de bonnes raisons de croire qu'ils sont les descendants de la soeur de Théophile, Mme de Bellegarde. Il vint à vingt ans à Paris chercher fortune, en bon cadet de Gascogne, et y arriva tout juste dans le temps de la mort d'Henri IV. Il y mena, de son propre aveu, une vie très dissipée. Cependant il ne laissa pas de lier amitié avec un jeune homme très distingué et assez sage qui s'appelait Louis Guez et qui devait s'appeler plus tard M. de Balzac. En 1612, il fît voyage en Hollande avec Guez...

Cet volume est destiné, comme sont titre l'indique, à tracer la voie au débutant, à satisfaire déjà et surtout à exciter les premières curiosités. Il donne une idée suffisante de la marche des faits et des idées. Il mène le lecteur, un peu rapidement, des origines les plus reculées aux derniers efforts de l'esprit humain. Il peut être un répertoire commode auquel l'esprit général d'une époque, ce qui la rattache à celle qui la suit et à celle qui la précède. Il veut surtout être un cadre dans lequel s'inscriront commodément, au cours d'études ultérieures, de nouvelles notions plus détaillées et plus approfondies. Il aura rempli son dessein s'il excite aux recherches et aux méditations et s'il y prépare d'une façon juste.

" Saint-Simon est un rare exemple d'incohérence dans la vie, d'incohérence dans la caractère, d'incohérence dans les idées de détail, et de fixité dans l'idée maîtresse; - autrement dit, c'est un fou - très exactement, beaucoup plus nettement que Rousseau lui-même, mais c'est un fou très intelligent, comme il arrive; qui a eu comme l'intuition de ce qui devait être le plus grand objet des préoccupations du siècle; et il n'est personne qui soit plus intéressant à étudier. Il est comme un germe. Tout l'arbre est en lui, et l'on ne connaît complètement l'arbre qu'en prenant du germe une connaissance aussi précise que possible. Incohérence dans la vie. Soldat, et bon soldat, officier et officier de mérite, trafiquant, entrepreneur, agronome, millionnaire oisif, fastueux et débauché, gueux manquant de pain, scribe au Mont-de-Piété, besoigneux nourri par un de ses anciens domestiques, journaliste, pamphlétaire, philosophe, fondateur de religion, à peu près dieu après sa mort, il n'est aucune situation de fortune qu'il n'ait traversée, ni forme d'existence qu'il n'ait prise. Il a beaucoup souffert; mais il n'a pas dû s'ennuyer; d'autant plus qu'en quelque état qu'il fût, il pensait toujours..."

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Chansons D'un Passant Émile Faguet E. Flammarion, 1921

ZOLA Par EMILE FAGUET de l'Académie Française Professeur à la Sorbonne

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Encore un livre qui était nécessaire, qu'il fallait écrire pour faire connaître exactement un homme d'une certaine importance, appartenant au moins à la petite histoire et qui nous était parvenu tout enveloppé de légendes épaisses. M. Gérard-Gailly s'est chargé de ce soin et s'est acquitté de cette tâche d'une manière solide et d'une manière charmante. Il nous a mis dans l'intimité de Bussy-Rabutin de telle sorte que toutes légendes ont disparu et que la vérité, maintenant, sur ce personnage et sur ses entours est absolument établie. Et avec cela on ne peut pas avoir plus d'esprit que M. Gérard-Gailly, plus de bonne grâce alerte, plus d'humour, plus de verve dans les discussions et plaidoyers, ni meilleur style. Son livre est agréable autant qu'il est essentiel...

Il n'est pas de sentiment que les philosophes aient plus blâmé, condamné et raillé que l'égoïsme, l'amour propre comme dit La Rochefoucauld, l'amour de soi. Aristote y ramène toutes les passions et il faut entendre les passions mauvaises; tout le Christianisme, par une interprétation peut-être fausse d'une parole de son fondateur, lui livre une bataille éternelle; Montaigne lui-même, cette fleur charmante d'égoïsme aimable, biaise avec son égoïsme et le présente comme un projet d'étudier l'homme en la personne de M. de Montaigne. Pascal dit de Montaigne: le sot projet qu'il a de se peindre et prononce l'arrêt, dont l'égoïsme ne s'est pas relevé Le moi est haïssable. Renchérissant sur Aristote, La Rochefoucauld montre avec acharnement que l'amour propre est la source, non seulement de nos passions mauvaises, mais de ce que nous prenons pour nos vertus, et, plus dangereux déguisé qu'à visage découvert, se fait aimer, comme s'il en avait besoin, sous le masque des qualités qui sont le plus éloignées de ce qu'il est.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.