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Frog Music is an atmospheric and gripping novel by Emma Donoghue, author of the multi-million-copy bestseller Room, adapted as a major motion picture directed by Lenny Abrahamson.San Francisco, 1876: a stifling heat wave and smallpox epidemic have engulfed the City.Deep in the streets of Chinatown live three former stars of the Parisian circus: Blanche, now an exotic dancer at the House of Mirrors, her lover Arthur and his companion Ernest.When an eccentric outsider joins their little circle, secrets unravel, changing everything - and leaving one of them dead.Inspired by a true unsolved crime, Frog Music, a New York Times bestseller, is a dark and compelling story of intrigue and murder.
With the turn of each page, the characters that roam across these pages go astray. They are emigrants, runaways, drifters; gold miners and counterfeiters, attorneys and slaves. They cross borders of race, law, sex, and sanity. They travel for love or money, under duress or incognito. This fascinating collection from Emma Donoghue, author of the internationally bestselling Room, is a sequence of fourteen fact-inspired fictions about travels to, in and from North America, Astray offers a past in scattered pieces, a surprising and moving history for restless times.
Set in London and Monmouth in the late 1700s, this is an extraordinary novel about Mary Saunders, the young daughter of a poor seamstress. Mary hungers greedily for fine clothes and ribbons, as people of her class do for food and warmth. It's a hunger that lures her into prostitution at the age of thirteen. Mary is thrown out by her distraught mother when she gets pregnant and almost dies on the dangerous streets of London. Her saviour is Doll - a prostitute. Mary roams London freely with Doll, selling her body to all manner of 'cullies', dressed whorishly in colourful, gaudy dresses with a painted red smile.Faced with bad debts and threats upon her life she eventually flees to Monmouth, her mother's hometown, where she attempts to start a new life as a maid in Mrs Jones's house. But Mary soon discovers that she can't escape her past and just how dearly people like her pay for yearnings not fitting to their class in society...
How do you make conversation with a sperm donor? How do you say someone's novel is drivel? Would you give a screaming baby brandy? In what words would you tell your girlfriend to pluck a hair on her chin?Touchy Subjects is about things that make people wince: taboos, controversies, secrets and lies. Some of the events that characters crash into are grand, tragic ones: miscarriage, overdose, missing persons, a mother who deserts her children. Other topics, like religion and money, are not inherently taboo, but they can cause acute discomfort because people disagree so vehemently. Many of these stories are about the spectrum of constrained, convoluted feeling that runs from awkwardness through embarrassment to shame.
Passions Between Women looks at stories of lesbian desires, acts and identities from the Restoration to the beginning of the nineteenth century. Far from being invisible, the figure of the woman who felt passion for women in this period was a subject of confusion and contradiction: she could be put in a freak show as a 'hermaphrodite', denounced as a 'tribade' or 'lesbian', revered as a 'romantic friend', jailed as a 'female husband' or gossiped about as a 'woman-lover', 'tommy' or 'Sapphist'. Through an examination of a wealth of new medical, legal and erotic source material, together with re-readings of classics of English literature, Emma Donoghue uncovers the astonishing range of lesbian and bisexual identities described in British texts between 1668 and 1801. Female pirates and spiritual mentors, chambermaids and queens, poets and prostitutes, country idylls and whipping clubs all take their place in an intriguing panorama of lesbian lives and loves.'Controversial, erotic and radical, Emma Donoghue's lesbian voyage of exploration outlines an astonishing spectrum of gender rebellion which creates a new map of eighteenth-century sexual territories and identities.' Patricia Duncker
Signatories comprises the artistic responses of Emma Donoghue, Thomas Kilroy, Hugo Hamilton, Frank McGuinness, Rachel Fehily, Eilis Ni Dhuibhne, Marina Carr and Joseph O'Connor to the seven signatories and Nurse O'Farrell. They portray the emotional struggle in this ground-breaking theatrical and literary commemoration of Ireland's turbulent past.
The Woman Who Gave Birth to Rabbits is a book of fictions, but they are also true. Over the last ten years, I have often stumbled over a scrap of history so fascinating that I had to stop whatever I was doing and write a story about it. My sources are the flotsam and jetsam of the last seven hundred years of British and Irish life: surgical case-notes; trial records; a plague ballad; theological pamphlets; a painting of two girls in a garden; an articulated skeleton. Some of the ghosts in this collection have famous names; others were written off as cripples, children, half-breeds, freaks and nobodies. The Woman Who Gave Birth to Rabbits is named for Mary Toft, who in 1726 managed to convince half England that she had done just that.So this book is what I have to show for ten years of sporadic grave-robbing, ferreting out forgotten puzzles and peculiar incidents, asking 'What really happened?', but also, 'What if?
A love story. A gamble. A battle. Let the games begin.It's an era of looming war, and the erosion of freedom in the name of national security. A time of high art and big business, trashy spectacles and financial disasters. Celebrities are hounded by journalists, who serve up private passions alongside public crises. Marriages stretch or break, and so do friendships; political liaisons prove as dangerous as erotic ones. In Parliament, on stage, in the bedroom, at the race track, round the dinner table, old loyalties are wrenched by the winds of change. The World - as elite calls itself - is fighting to survive these chaotic times.
Emma Donoghues gennembrudsroman Rum gjorde hende med et slag verdensberømt. Romanen blev siden en oscarvindende film. Nu har hun begået endnu et fortættet psykologisk drama om et barn, der udsættes for uhyrlige prøvelser. Denne gang befinder vi os i 1850’ernes Irland. Dagen efter sin brors død indleder den elleve-årige Anna O’Donnell en faste for at formilde Gud. Fire måneder senere lever hun stadig i bedste velgående uden at have taget nogen form for føde til sig. Folk valfarter allerede til den lille irske flække, hvor hun bor, for at købe sig til helbredelse gennem pigens berøring. Den unge sygeplejerske Elisabeth Wright, der er uddannet af den legendariske Florence Nightingale, og derfor betragtes som særlig dygtig og hæderlig, tilkaldes for at afgøre, om pigen hemmeligt spiser, eller om hun virkelig er et under. Og nu begynder et nervepirrende og nådesløst psykologisk magtspil i det lille religiøst afsporede samfund.
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