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The daring, mischievous micro-essays of award-winning French humorist Éric Chevillard, published in English for the first time
?ric Chevillard here seeks to clear up a persistent and pernicious literary misunderstanding: the belief that a novel's narrator must necessarily be a mouthpiece for his or her writer's own opinions. Thus, we are introduced to a narrator haunted by a deep loathing for cauliflower gratin (and by a no less passionate fondness for trout almondine), but his monologue has been helpfully and hilariously annotated in order to clarify all the many ways in which this gentleman and ?ric Chevillard are nothing alike. Language and logic are pushed to their farthest extremes in one of Chevillard's funniest novels yet.
Eric Chevillard's visionary play of word and thought has been compared to the work of Beckett, Michaux, and Pinget, yet the universe he spins is utterly his own. Palafox (Editions de Minuit, 1990), Chevillard's third novel of eleven, explores the ecosystem of an unclassifiable yet enchanting protean creature, Palafox. A team of experts armed with degrees of higher learning is determined to label, train, baptize, and realize the elusive creature, while Palafox effortlessly and wordlessly defies them all.
Tells the story of a young man who wears a chair upside down on his head. He falls in love with a young woman named Meline, and soon he and his friends move in with her and her family. But they are disappointed by the life they find at Meline's.
Comprise fifty-two chapters that provide insights into the existence of this nebulous man named Crab, his absence from the pages of history, his birth in prison, and his never having been born at all. This book parodies literary conventions, deconstructs narrative and meaning, and combines absurdity and hopelessness with irony and humor.
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