Bøger af Ernesto Cardenal

Cardenal, In Cuba. The Nicaraguan Poet-Priest muses over Cuba

In Solentiname, a remote archipelago in Lake Nicaragua, the people gathered each Sunday to reflect together on the Gospel reading. From recordings of their dialogue, this extraordinary document of faith in the midst of struggle was composed. First published in four volumes, The Gospel in Solentiname was immediately acclaimed as a classic of liberation theology--a radical reading of the good news of Jesus from the perspective of the poor and the oppressed. (It was also banned by the Somoza dictatorship.)Forty years later The Gospel in Solentiname retains its freshness and power. Though times may have changed, the message of Jesus--as heard by these peasants--continues to challenge the rulers of our age and to inspire the poor with the hope of a different world.

Interweaves myth, legend, history, and contemporary reality. Ranging over the great expanse of North and South America and years of history, this work speaks of assaults on the Iroquois Nation, of political and cultural life in ancient Mexico, contemporary Andean hope for a messianic return of the Inka, and more.

Ernesto Cardenal, widely acknowledged as Latin America's greatest living poet, continues to craft works of striking beauty, as demonstrated in this collection's title poem, an exquisite meditation on Charles Darwin's theory of evolution.

Zero Hour and Other Documentary Poems brings together in English translation eight of the longer poems by Nicaragua's impassioned Marxist priest, Ernesto Cardenal, described in the Times Literary Supplement as "the outstanding socially committed poet of his generation in Spanish America." His work, like Pablo Neruda's, is unabashedly political; like Ezra Pound's, his poems demonstrate history on an epic scale--but the voice is all his own and speaks from the heart of a land sunk for generations in poverty, oppression, and turmoil. As both activist and contemplative, Cardenal maintained strong ties with the Sandinist guerillas while at the same time living a form of primitive Christianity at his religious settlement of Our Lady of Solentiname on an island in Lake Nicaragua. In late 1977, amid increasing civil violence, the Nicaraguan National Guard utterly destroyed the Solentiname community, and Cardenal fled to neighboring Costa Rica, where he continued his efforts on behalf of the revolutionary movement. With the final collapse of the Somoza dictatorship in 1979, he returned to Nicaragua as his country's new Minister of Culture. Spanning a quarter century, the poems in Zero Hour constitute a vivid record of continuous struggle against flagrant exploitation and brutal indifference to common humanity.

Apocalypse and Other Poems by Nicaragua's revolutionist poet-priest, Ernesto Cardenal, is the author's second book, the first of poetry, to be published by New Directions. The editors of this volume, Robert Pring-Mill and Donald D. Walsh, have chosen a representative selection of Cardenal's shorter protest poems, epigrams, religious, and Amerindian verse. Also included are two of Cardenal's most impressive longer works: the haunting and melodic elegy, "Coplas on the Death of Merton," and the title poem, "Apocalypse," in which the theme of an ever-threatening nuclear holocaust is the core of a modern rendering of the Book of Revelations. At Our Lady of Solentiname, his religious community on an island in Lake Nicaragua, living and working in the manner of the early Christians, Father Cardenal embodies what he professes: "Now in Latin America, to practice religion is to make revolution." An informative introduction has been contributed by Robert Pring-Mill of Oxford University. The translations are by Thomas Merton, Robert Pring-Mill, Kenneth Rexroth and Mireya Jaimes-Freyre, and Donald D. Walsh, who also translated In Cuba, Cardenal's assessment of Fidel Castro's revolutionary society, published by New Directions in 1974.

Tells the story of the Spanish conquest of Central America from the "discovery" of the American continent to various historical events. Constructed from fragments of documents and histories from the colonial era, this work features a parallel plot, telling the story of the political events and economic conditions of the Nicaraguan history.