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Ernst Steinmann gibt in diesem Werk einen Einblick in das Leben und Werk des umbrischen Malers Antonio da Viterbo. Er analysiert dessen künstlerische Techniken und Stilmerkmale und stellt sie in den Kontext der umbrischen Malerschule um die Wende des XV Jahrhunderts. Das Buch bietet somit Kunstliebhabern und Kunsthistorikern einen tiefen Einblick in die Welt der Malerei des Spätmittelalters.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Die Tituli und die kirchliche Wandmalerei im Abendlande: Vom V bis zum XI Jahrhundert (1892) von Ernst Steinmann ist ein Buch, das sich mit der Geschichte der Wandmalerei und der Tituli in der christlichen Kirche im Zeitraum vom 5. bis zum 11. Jahrhundert besch�����ftigt. Das Buch beschreibt die verschiedenen Arten von Wandmalereien und Tituli, die in dieser Zeit in der Kirche verwendet wurden, und untersucht ihre Bedeutung und Verwendung. Es enth�����lt auch eine umfassende Analyse der verschiedenen Stile und Techniken, die in der Wandmalerei und der Tituli verwendet wurden. Das Buch ist ein wichtiges Werk f�����r Historiker, Kunsthistoriker und alle, die an der Geschichte der christlichen Kunst interessiert sind.This Book Is In German.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
""Pinturicchio"" ist eine Biografie des italienischen Malers Bernardino di Betto, besser bekannt als Pinturicchio. Der Autor Ernst Steinmann beschreibt das Leben des K�����nstlers, seine Werke und seinen Einfluss auf die Kunst des 15. Jahrhunderts in Italien. Steinmann analysiert die Techniken und Stile von Pinturicchios Gem�����lden und Fresken, darunter seine Arbeit in der Sixtinischen Kapelle. Das Buch enth�����lt auch viele Abbildungen von Pinturicchios Werken und bietet somit einen umfassenden Einblick in das Leben und Schaffen des K�����nstlers.This Book Is In German.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Das Geheimnis Der Medicigraeber Michel Angelos; Volume 4 Of Kunstgeschichtliche Monographien Ernst Steinmann K. W. Hiersemann, 1907 Art; Sculpture; Art / Sculpture; Sculpture
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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