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This is a timely follow-up to Practice as Research: Approaches to Creative Arts Enquiry and will be indispensable to researchers, institutions and research assessment bodies.
With examples from the paintings of Van Gogh and Picasso, the work of contemporary feminist painters, the photography of Bill Henson and the film and animation work of Van Sowerine, author demonstrates how Kristeva can illuminate the relationships between artist and art object, between artists, artworks and audiences, and between art and knowledge.
Useful as a training tool, this title an introduction which lays out the book's framework. It provides examples of studio-based research in art, film and video, creative writing and dance. It examines relationship between practice and theory demonstrating how practice can operate as a valid alternative mode of enquiry to traditional scholarship.
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