Bøger af Eugene Muntz

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Le Musée De Portraits De Paul Jove: Contributions Pour Servir À L'iconographie Du Moyen Âge Et De La Renaissance; Mémoires De L'Académie Des Inscriptions Et Belles-lettres. [Offprint] Eugène Müntz Impr. nationale, 1900 Art; Techniques; Painting; Art / Techniques / Painting; Painting; Photography / Subjects & Themes / Portraits; Portraits; Portraits, Renaissance

" Industries d'art, arts industriels, arts décoratifs, c'étaient là, il n'y a pas longtemps, des termes impliquant un véritable dédain et jetant une incontestable défaveur sur d'innombrables monuments, précieux pour l'histoire des moeurs, des croyances, des idées, non moins que pour celle du goût. La production d'une oeuvre exigeait-elle le concours d'un intermédiaire chargé de traduire le carton du peintre, la maquette du sculpteur, ou bien celte oeuvre avait-elle une destination pratique, on s'empressait de lui refuser sa place dans le domaine de l'art, dans ces régions abstraites où les grands-prêtres du beau ne se proposent que la satisfaction désintéressée d'un besoin purement esthétique. La devise des écoles grandes et fécondes, le beau dans l'utile, passait pour un blasphème aux yeux des représentants à outrance du spiritualisme; à force de vouloir ennoblir et purifier l'art, ils en étaient arrivés à couper les racines qui le rattachaient à la vie nationale et à en faire l'expression, tout artificielle, des aspirations de quelques initiés..."

This Is A New Release Of The Original 1898 Edition.

Raphael: His Life, Works, and Times is a comprehensive biography of the Italian Renaissance artist, Raphael, written by Eugene Muntz. The book delves into the life of Raphael, from his birth in Urbino in 1483 to his premature death at the age of 37 in Rome in 1520. Muntz provides a detailed account of Raphael's family background, education, and early artistic training.The book also explores Raphael's artistic influences, including the works of his contemporaries such as Michelangelo and Leonardo da Vinci. Muntz analyzes Raphael's artistic style and the evolution of his work, from his early paintings to his later masterpieces such as the Vatican frescoes and the Sistine Madonna.In addition to Raphael's life and works, Muntz provides a historical context for the artist's career, including the political and cultural climate of Renaissance Italy. The book also includes a discussion of the patronage system that supported artists during this time period.Overall, Raphael: His Life, Works, and Times is a comprehensive and engaging biography of one of the most important artists of the Italian Renaissance. It is a must-read for art historians and enthusiasts alike.1888. Illustrated with 154 engravings in the text, and 43 full-page plates. Muntz was a nineteenth-century French art historian. Contents: The Town of Urbino and the Montefeltro dynasty; Raphael at Perugia; Studies of Raphael at Perugia and in its neighborhood; The earliest original productions of Raphael; Journey of Raphael to Siena; Return of Raphael to Urbino in 1504; Raphael at Florence; Raphael at Rome; Raphael in the service of Julius II.; Leo X. and the New Pontifical Court; Painting in the Vatican under Leo X.; The Loggia; The Cartoons; Raphael and Agostino Chigi, the Galatea; Oil Paintings executed under Leo X; Raphael as Architect; Raphael�������s and the Antique; and Raphael�������s last years.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Études Iconographiques Et Archéologiques Sur Le Moyen Âge ...; Petite Bibliothèque D'art Et D'archéologie; Volume 1 Of Études Iconographiques Et Archéologiques Sur Le Moyen Âge; Eugène Müntz Eugène Müntz Leroux, 1887 Art; History; Medieval; Archaeology, Medieval; Art / History / Medieval; Art / Subjects & Themes / Religious; Social Science / Archaeology

Il libro ""Il Tesoro Della Basilica Di S. Pietro In Vaticano Dal XIII Al XV Secolo Con Una Scelta D'Inventarii Inediti"" scritto da Eugene Muntz nel 1883, ����� una descrizione completa del tesoro della Basilica di San Pietro in Vaticano. Il volume contiene una selezione di inventari inediti che coprono un periodo che va dal XIII al XV secolo. L'autore fornisce una dettagliata analisi degli oggetti d'arte e dei tesori conservati nella basilica, tra cui reliquie, paramenti sacri, argenteria e altri oggetti preziosi. Il libro ����� una fonte preziosa per gli studiosi di storia dell'arte e per chiunque sia interessato alla storia della basilica di San Pietro in Vaticano.This Book Is In Italian.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Histoire De L'art Pendant La Renaissance: Italie; La Fin De La Renaissance; Volume 3, Parts 1-3 Of Histoire De L'art Pendant La Renaissance; Eugène Müntz Eugène Müntz Hachette et cie, 1895 Art; Renaissance

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This Is A New Release Of The Original 1885 Edition.

Pas plus à Venise qu'à Florence ou à Milan, l'essor de l'art ne correspond à l'apogée de la vitalité ou de la richesse nationale. Depuis la prise de Constantinople, la puissance de la République vénitienne allait déclinant d'année en année; les Turcs lui avaient déjà enlevé les plus opulentes de ses colonies de la Méditerranée, lorsqu'elle perdit ce monopole du commerce des Indes qui avait si longtemps fait la principale source de sa prospérité. Sa suprématie politique ou commerciale compromise, la cité des doges ajouta du moins, par la culture des arts, un nouveau fleuron à sa couronne, tandis que les trésors accumulés par ses rivaux les Portugais à Lisbonne ou à Oporto ne profitèrent en rien à la cause de Tari, de la littérature, de la science, de la civilisation. Ce fut, en effet, au moment précis où Venise vit son étoile pâlir sur les mers que se leva, sur ses églises et ses palais, l'aurore d'un art nouveau...

This Is A New Release Of The Original 1888 Edition.

This Is A New Release Of The Original 1898 Edition.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.