Bøger af F. W. Bain

"The Descent of the Sun" is a philosophical and religious paintings written through F. W. Bain. Published in the past due nineteenth century, the book explores the undying situation of the solar as an image of divine electricity and enlightenment. F. W. Bain, a British writer and pupil, delves into the mystical factors of the solar's descent, drawing on Eastern and Western philosophies to get to the lowest of the profound implications of this celestial phenomenon. Bain weaves a tapestry of non-secular and metaphysical thoughts, the usage of the descent of the solar as a metaphor for the soul's journey towards self-attention and non-secular enlightenment. The book explores subject subjects of cosmic concord, the interaction between light and darkness, and the cyclical nature of lifestyles. Bain's poetic and insightful fashion urges readers to reflect on the underlying meaning of existence and the interconnection of the cosmos. "The Descent of the Sun" is a thought-upsetting and contemplative paintings that crosses cultural and theological limitations, giving readers perception into the widely wide-spread longing for inner illumination. F. W. Bain's exam of religious truths and cosmic symbolism makes this painting both ageless and attractive for all and sundry searching for wisdom and enlightenment.

A Mine of Faults by F. W. Bain has been regarded as significant work throughout human history, and in order to ensure that this work is never lost, we have taken steps to ensure its preservation by republishing this book in a contemporary format for both current and future generations. This entire book has been retyped, redesigned, and reformatted. Since these books are not made from scanned copies, the text is readable and clear.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

F.W. Bain translated this work from the original Sanskrit, and offered this as an introduction, "The name of the little Indian gable, here presented to the lover of curiosities in an English dress, is ambiguous. We may translate it indifferently, either: The New Moon in the hair of the God of Gods, or else, She That Reduces the Pride of Gods, Demons, and all the Rest of Creation, that is the Goddess of Beauty and Fortune. To those unfamiliar with the peculiar genius of the Sanskrit language, it might seem singular, that two such different ideas should be expressible by the one and the same word. but it is just in this power of dexterous ambiguity that the beauty of that language lies." Francis William Bain was born on April 29, 1863 and lived until March 3, 1940. He enjoyed a wide variety of pursuits in his life, ranging from being an amateur footballer to serving as a professor of history in British India. Yet he considered himself primarily a writer, specializing in fantasy, which he claimed to have translated from Sanskrit. However, these works were not directly taken from Hindu manuscripts, but were rather a mixture of Orientalism and Bain's interest in fantasy. Although it was revealed that Bain was lying about the origins of such works as In the Great God's Hair, his readership was unaffected. However, it is important for readers of to know that the views that this work imparts on marriage, love, and religion, are largely those of Bain's and not a true reflection of Hinduism.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.