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Ida Joner gets on her brand-new bike and sets off toward town. A good-natured, happy girl, she is looking forward to her tenth birthday. Thirty-five minutes after Ida should have come home, her mother starts to worry. She phones store owners, Ida's friends-anyone who could have seen her. But no one has.Suspicion immediately falls on Emil Mork, a local character who lives alone and hasn't spoken since childhood. His mother insists on cleaning his house weekly-although she's sometimes afraid of what she might find there. A mother's worst nightmare in either case-to lose a child or to think a child capable of murder. As Ida's relatives reach the breaking point and the media frenzy surrounding the case begins, Inspector Konrad Sejer is his usual calm and reassuring self. But he's puzzled. And disturbed. This is the strangest case he's seen in years.
Karin Fossum's fourth chilling crime novel finds Inspector Sejer on the hunt for a brutal killer in a good town gone bad. When long-time bachelor Gunder Jomann goes to India for two weeks and comes home married, the town of Elvestad is stunned. Then, on the day his bride is supposed to arrive, the battered body of a woman is found on the outskirts of town. The "good people of Elvestad" can't believe that anyone among them could be capable of such a crime. But in his quiet way, Inspector Konrad Sejer understands that no one is completely innocent?not the café owner who knows too much, the girl who wants the attention that comes with being a witness, or the bodybuilder with no outlet for his terrible strength.
Inspector Sejer is hard at work again, investigating the brutal murder of a woman who lived alone in the middle of the woods. The chief suspect is another loner, a schizophrenic recently escaped from a mental institution. The only witness is a twelve-year-old boy, overweight, obsessed with archery, and a resident at a home for delinquents. When a demented man robs a nearby bank and accidentally takes the suspect hostage, the three misfits are drawn into an uneasy alliance. Shrewdly, patiently, as is his way, Inspector Sejer confronts a case where the strangeness of the crime is matched only by the strangeness of the criminals, and where small-town prejudices warp every piece of information he tries to collect. Fossum once again provides extraordinary insight into marginalized lives and richly evokes the atmosphere she captured so brilliantly in Don't Look Back.
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