Bøger af Francis Nenik

The book of photos and texts is dedicated to the Thomas Mann House in Pacific Palisades in Los Angeles. Francis Nenik's essay offers the first detailed description of the history of the house in which Thomas Mann lived with his family from 1942 to 1952 during his period of exile in the U.S. Basing his work on extensive archival research, Nenik not only recounts episodes from the family's life but also introduces characters who have hitherto been largely unknown-the people who built the house and worked in it. Their experiences, some of them extremely colourful, create the panorama against which the story of the house unfolds. Sebastian Stumpf's photographs act as a counterpoint to this. In January 2017 he gained access to the vacant property, which had recently been bought by the German government, and captured it in its inbetween state in a series of distinctive pictures. They show a deserted house that has morphed and grown in on itself, leaving precious little to suggest that the Mann family had once lived there.Francis Nenik lives with his daughter in Leipzig and in a rural area of Saxony, where he is experimenting with life as a smallholder. He also writes prose.Sebastian Stumpf (b. 1980), artist, lives in Leipzig. In 2016/2017 he was a fellow at the Villa Aurora in Los Angeles.

Francis Nenik's thrilling slice of narrative non-fiction "Journey through a Tragicomic Century" is about the life of the forgotten writer Hasso Grabner, told with great joy in language and love of absurdity. The journey takes us from the Young Communists in1920s Leipzig to wartime Crete, with Grabner falling from steelworks director to a vilified author banned from publishing his work in the GDR.Francis Neniks "Reise durch ein tragikomisches Jahrhundert" handelt vom Leben des vergessenen Schriftstellers Hasso Grabner - erzählt mit großer Freude am Fabulieren und Liebe zur Absurdität. Die Reise führt uns nebst anderen Stationen von den Jungen Kommunisten Leipzigs in den 1920er Jahren nach Kreta, ganz nah begleiten wir Grabner auf seinem wilden Ritt vom Stahlwerksdirektor zum verunglimpften Autor, dem es verboten war, sein Werk in der DDR zu veröffentlichen.