Bøger af Frank Moore

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

The Making of the Modern Law: Legal Treatises, 1800-1926 includes over 20,000 analytical, theoretical and practical works on American and British Law. It includes the writings of major legal theorists, including Sir Edward Coke, Sir William Blackstone, James Fitzjames Stephen, Frederic William Maitland, John Marshall, Joseph Story, Oliver Wendell Holmes, Jr. and Roscoe Pound, among others. Legal Treatises includes casebooks, local practice manuals, form books, works for lay readers, pamphlets, letters, speeches and other works of the most influential writers of their time. It is of great value to researchers of domestic and international law, government and politics, legal history, business and economics, criminology and much more.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++Harvard Law School Libraryocm12399904New York: D. Appleton, 1857. 2 v.: ports.; 25 cm.

Published in 1867, this volume is a collection of stories of the heroic acts made by women during the Civil War.

Diary of the American Revolution from Newspapers and Original Documents (Volume 2) By Frank Moore Preface The materials of these volumes are taken from Whig and Tory newspapers, published during the American Revolution, private diaries, and other cotemporaneous writings. They present to the student of this day the same view the readers of the revolutionary period enjoyed - the manners and customs of the people, and the moral and religious, as well as political features of the time. As far as practicable, the language of the writers has been preserved. For every assertion presented the reader will find an authority which must be his guide in ascertaining its value in an historical point of view; while, at the same time, he must keep in mind the truth that the errors and lampoons of a period belong as much to its history as the facts and flatteries. Among the newspapers from which the editor has drawn his material, no one requires an especial notice in this place; a history of the periodical writers of the last century would in itself exceed the limits of these volumes. Such a work would prove an interesting and important addition to the literature of America. In conclusion, the editor acknowledges his obligations for the many favors and facilities extended to him by the various Historical Societies of the United States, most especially to the officers of the New York Historical Society, from whom he has received the most valuable assistance. Excerpt from Chapter I January 1.--At the opening of the last year, the American cause wore a sickly aspect. The Continental army, reduced to an inconsiderable body, retired as fast as the enemy advance; and a vast tract of country, from the Hudson river to the Delaware, lay exposed tot he ravages of an insulting foe. Roused at length from the lethargy which at first seemed to seize them, the militia poured in to the assistance of General Washington, and gave his little army an appearance of numbers. The fortunate surprisal of the Hessians, and the brilliant manoeuvre at Princeton, first checked the current of misfortune, and gave the tide of affairs a contrary direction. General Howe, confining himself to the narrow limits of Brunswick and Amboy, suffered us to invest him with a handful of militia. The States wisely improved the breathing spell which Heaven lent them; and such were the exertions of the winter, that, before the British army took the field, we had a respectable force on foot. A force, part of which, assisted by the gallant militia of New York and New England, hath destroyed their northern army; while the residue, though unable to stop the progress of General Howe, hath nevertheless fought him bravely, and even now limits... ------------------------------------------------------------------------------------------------------------------------------------------ Windham Press is committed to bringing the lost cultural heritage of ages past into the 21st century through high-quality reproductions of original, classic printed works at affordable prices. This book has been carefully crafted to utilize the original images of antique books rather than error-prone OCR text. This also preserves the work of the original typesetters of these classics, unknown craftsmen who laid out the text, often by hand, of each and every page you will read. Their subtle art involving judgment and interaction with the text is in many ways superior and more human than the mechanical methods utilized today, and gave each book a unique, hand-crafted feel in its text that connected the reader organically to the art of bindery and book-making. We think these benefits are worth the occasional imperfection resulting from the age of these books at the time of scanning, and their vintage feel provides a connection to the past that goes beyond the mere words of the text.

Chapped Lap is Frank Moore's first slim book of poetry, featuring poetry from the 1990s and 2000 (published in 2000). Originally a xeroxed and stapled "chapbook", as the title suggests, this small collection is dense with pieces that have become classics. Not only did Frank perform these poems for years, but they were also often used in his interactive performances, read by audience members, and read by fellow poets, always adding new levels to the frame in which they were performed. Two of the pieces, "out of isolation" and "wrapping and rocking", were both written earlier - 1986. These deep evocative pieces are the roots of what would become decades of Frank's evolving performances. "out of isolation" pulled the audience into the universe of a character named Jim, institutionalized and severely disabled, exploring what happens when a nurse, Jane, is assigned to treat him. Frank described it as "a surreal erotic examination of an intimate relationship of need.""I only wish I was not the only soft fingers...I wish there was another soft fingers in my universe of the mat...someone to share in the bright colors and sweet sounds...someone I could laugh with, cry with, move with, share good feeling with...someone who would be with me on the mat, touch me not like touching my pillow, not like pulling things out of me or to make me different. But just because we are the only soft fingers in the universe of the mat.""wrapping and rocking" in performance gave people the direct experience of oneness and intimacy: "the two nude figures sit in / time and space. / one upon the other. / rocking together. / rocking in their cave. two magic figures / rocking together against time. / rocking back through time. / back and forth. mother rocking her baby. / rocking against sickness and tears. / rocking back into love and peace.""wrapping and rocking" is illustrated with great black and white performance photographs, and Chapped Lap is further illustrated with liquid erotic pen & ink drawings by LaBash, a few paintings by Moore, and other photographs.The poems in this first collection reflect a full spectrum of Moore's passions: exploring and expanding freedom, intimacy and deep human connection beyond the accepted limits, sex and love, play and passion, and exploding the censoring concepts and taboos that fragment and isolate us from each other, from ourselves and from unlimited possibilities. His tribute poems to his mom, Connie, to a student, and to a fellow artist take us deep through the personal into the essence of being human together. And poems like "their cuddling cocoon" and "rings of orgasms" explore the "smallness" of erotic human surrender and intimacy, while opening into the universal "heart of the universe".But it is poems such as "i came to play", "tortures", "art is a bitch" and "mutation is evolution" that have become "signature" pieces for Moore's lusty way of looking at life, living life, enjoying life, his deep and uncompromising vision of human liberation, and his seeing art/life as a passion, an addiction ... about surrendering and following. A lot loaded into a sexy small package!Published by Inter-Relations.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Women Of The War; Their Heroism And Self-sacrifice Frank Moore History; United States; Civil War Period (1850-1877); Biography & Autobiography / Women; History / United States / Civil War Period (1850-1877)

This Is A New Release Of The Original 1862 Edition.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This Is A New Release Of The Original 1865 Edition.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ The Rebellion Record: A Diary Of American Guents frank moore

This Is A New Release Of The Original 1865 Edition.

This Is A New Release Of The Original 1862 Edition.

In this, the first collection of prose by "one of the U.S.'s most controversial performance artists" (P-Form Magazine), Frank Moore explores his deep and uncompromising vision of human liberation and art as a "battle against fragmentation". In the essays, writings and rants of Frankly Speaking, roughly covering the period from the late 1970s until his death in 2013, Moore reveals his plan for the complete political and social transformation of American society (see Platform for Frank's Presidential Candidacy 2008), stirs up the "art world", urging fellow artists to truly live their calling and not accept censorship (see Art is Not Toothpaste or The Combine Plot), pulls the reader deeply into the heart of magic, responsibility, shamanism, play, and expanded sexuality (see Inter-Penetration or Dance of No Dancers), and much much more. Frank Moore's essays have been praised by political activists, authors, artists and cultural icons like Bill Mandel, John Sinclair, Penny Arcade, Annie Sprinkle and many others for their comprehensive and revolutionary world-view. The reader gets to join Frank's joyful and fearless digging into the core issues of human experience to get to something deeper: intimacy, tribal community, freedom. Frankly Speaking also gives us a peek into the history of these pieces, which have been widely published all over the world, from the smallest of underground zines to the most established mainstream art journals. But Frank always focused on the small, personal, intimate level, and always fought to stay "underground". As he writes in Mainstream Avant-Garde?: "The underground is where the real freedom and the real ability to change society are to be found." The writings in this collection have this "beautiful slow pace as if forcing the mind of the reader to change pace as well and let the other world come to the forefront - the cartography of the soul is where you take us ... each in our own way ... rather than your way ... which is generous indeed of you." (Shelley Berc, writer, teacher)"You've hit another homer ... You ought to publish a book of essays or perhaps a Frank Moore anthology." - Bill Mandel, broadcast journalist, left-wing political activist and author, best known for his televised condemnation of Sen. Joseph McCarthy in the early '50s and later for his dramatic defiance of the House Un-American Activities Committee (HUAC) in May 1960.Published by Inter-Relations

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This Is A New Release Of The Original 1862 Edition.

Cherotic Magic is a major attempt to introduce a powerful system of magic into our modern western everyday life, thereby explosively expanding such concepts as sex and human relationships. The clear, down-to-earth text is amplified by the non-linear trance illustrations by LaBash."Moore, paradoxically a severely disabled cerebral palsied human being, who cannot clearly utter a single word is simultaneously a clear and eloquent writer about a reality-shifting form of art he calls Cherotic Magic and a spectacularly courageous, ecstatic journeyer and practitioner of shamanic transformational art.Reversing the ideas of normal causality, his book guides one towards powerful experiences of re-integration into a unified field of consciousness brought about by the apprenticeship. The radical purposes of the book initiate a teacher/student relationship more appropriately similar to a guru situation than the normal art student context which we all know can be one which borders on charismatic adulation. Rather, the relationship is intended to awaken and restructure the whole being with access to an interrelated "web of all possibilities," a potentiated ground of existence, from which the student may return empowered with energy, vision and unflinching faith to change the so-called reality structure of this fragmented and specialized culture. The process is a form of magic, which inspires a sense of body wholeness and aliveness where the personal power is to be found. A manual of faith and a description of the nature of apprenticeship, the book is a clarification of the sort of contractual agreement one enters with a teacher, rarely stipulated but here clearly spelled out. This agreement is one of mutual responsibility where the risk is clearly seen to be taken by both parties.Moore himself raises the question of Shamanism /as art - /as performance - /as therapy. He cites performance as the bed of mystical initiation, rites of passage, mystical ceremonies where art/science, philosophy, and psychology and theology merge and become whole once again. Here, we may experience these things as at once ancient and strange. The breaking of restricting taboos and inner barriers moves towards a place not of isolated individualism, but one of connectedness both in the interior landscapes and with each other."- Barbara Smith, performance artist"Frank Moore's Cherotic Magic presents an innovative and extremely individual view of magic wherein one will find little about candles, incense, and the like, but much about the structure of the universe and our ability to live within it as creatures of ecstasy. Moore is a well-known performance artist whose life has been a testament to the power of the magical path. Born quadriplegic, he has risen to a position of note in artistic circles and to a level of great sophistication as a teacher of the magical path. Now, in Cherotic Magic, the esoteric bases of both his art and his magic have been made available in written form."- Timothy O'Neill, Gnosis MagazinePublished by Inter-Relations

Frank Moore's Shaman's Den streamed live on the internet almost every Sunday night from 1998 until Frank's death in 2013. The Shaman's Den was a 2 1/2-hour variety show featuring in-studio concerts by bands from around the world and in-depth conversations about politics, art, music, and life. In this volume, the first in a series, Frank and his guests explore a wide-open field of topics and present new, alternative ways of looking at everything from current economic and political situations to personal relationships.Featured in this volume are conversations with Paul Krassner, comedian/satirist and co-founder of the Yippies; long-time friends Stephen Emanuel and Louise Scott; ENT doctor and surgeon, Dr. Richard Kerbavaz; David Johnson, one of the San Quentin Six, and Elder Freeman, Catholic priest and founding member of the L.A. Black Panther Party for Self-Defense; Sasha Cagen, Quirkyalone creator and author; New York performance artist Penny Arcade; political activists and pirate radio DJs Gerald Smith and Tracy James; San Francisco anti-performance artist and composer, Michael Peppe; Kevin Danaher, co-founder of the human rights and social/economic/environmental justice organization, Global Exchange; and John the Baker, singer, songwriter, punk musician and community organizer."Talking with you was one of the most surprising, thought-provoking, inspirational experiences I've ever had. I feel like you've updated and expanded my definitions of art, conversation, intelligence, and even how I interpret the concept of 'a person'." - Capital, guitarist, Shroomy Shroom" ... thoughtful questions well asked. It's a rare skill these days." - Shannon Flattery, Touchable Stories"He's an amazing inspiration for anyone seeking freedom of expression without any physical or mental boundaries." - Silke Tudor, S.F. Weekly"Freedom and the power of free speech has become the signpost of (Frank Moore's) work from the 1960s to today ... His career's work has been to burst through the barriers of social isolation that separate people." - Nick Stillman, Editor, NYFA CurrentPublished by Inter-Relations

Often the Holy Spirit is viewed as a force, a feeling, or an experience. But as the third person of the Trinity, the Holy Spirit created us to relate to him personally. How do we get to know the Holy Spirit in this way? How do we come to embrace the Holy Spirit as our best friend?Frank Moore balances what we know and believe about the Holy Spirit with an emphasis on this personal friendship. While aptly attending to the scriptural, theological, and creedal knowledge of the Holy Spirit, Dr. Moore places significant focus on the Holy Spirit's ministry in saving, transforming, and befriending us. Combining the vital worlds of learning and divine companionship, this volume is a rich resource for Christian study and growth.Christians are used to hearing theological language in the church but may not feel they have adequate resources to enhance their understanding of what certain terms or concepts mean. The Wesleyan Theology Series aims to discuss Christian doctrines in accessible language that states clearly what we believe and why. Each volume is written by an author with a particular expertise who also has the ability to simplify and clarify complex ideas. The Wesleyan Theology Series is written specifically for the theologically curious layperson, student, or pastor. Topics include: the Trinity, creation, eschatology, the church, the sacraments, Jesus Christ, the Holy Spirit, Scripture, sin, grace, salvation, sanctification, Christian ethics, and atonement.