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As the last light of All-Hallows' Eve falls on a small town at the tip of Cape Cod, Father Manuel Furtado begins his nightly ritual of gin and pills, prayer, and hours spent writing feverishly in his ledger. With the deep luxury of the chemicals in his body, he copies passages from Saint Augustine and Martin Heidegger, disciplined in his desire to flesh out his ever-building demons. But, unlike his usual uninterrupted reflection, this night there is a crash, sudden enough to pull Father Manny from the rectory and toward his church, Our Lady of Fatima. He finds a man there -- his childhood friend Sarafino, whom he has not seen in decades -- frail with illness and desperate to tell the priest about his recurring visits from the Virgin Mary. Despite Father Manny's grave doubts about Sarafino and his visions, he lets his old friend into his home and his life, and this single act ignites a series of events that challenge the faith of this fishing village, the parish, and of Father Manny himself. Striking and lovingly detailed, "Stealing Fatima" is the story of a priest's search for redemption in a town where, even in these modern times, the divine is possible.
In the insular Portuguese fishing community of Provincetown, Josie Carvalho's life has been shaped by the annual influx of summer tourists and his great aunt's fervent, if idiosyncratic, Catholicism. The counterweight to these forces has always been Josie's relationship with his grandfather John Joseph, a drunk, clam-poaching old man who is nevertheless a sly and masterful storyteller.After a stranger starts dating Josie's mother and upsets the family's equilibrium, John Joseph heals the rift with the colorful and adventurous stories of their ancestor, Francisco Carvalho, a Portuguese explorer who just may have beaten Columbus to the New World. With the guidance of these obscure but inspired tales, Josie begins to find new ways of understanding his family and the outside world. This new edition of Leaving Pico makes Frank X. Gaspar's award-winning coming-of-age novel accessible to a new generation of readers.
Renata Ferreira's poems were composed in the final years of Portugal's fascist regime, exposing and subverting the government's draconian edicts. Presenting the poems of this Portuguese American writer and detailing their surprising rediscovery in 2015, Frank Gaspar fuses genres, flouts borders, and brings to life a voice that had been silenced.
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