Bøger af Frederic Portal

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This Is A New Release Of The Original 1904 Edition.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

""An Essay On Symbolic Colors: In Antiquity, The Middle Ages, And Modern Times"" is a book written by Frederic Portal in 1845. The book explores the significance of colors in various historical periods and cultures, including ancient civilizations, the Middle Ages, and modern times. Portal delves into the symbolic meanings of colors in different contexts, such as religion, art, and literature. He discusses how colors were used to convey emotions, ideas, and beliefs, and how they were associated with different virtues and vices. The book also covers the use of colors in heraldry and flags, as well as their role in social customs and traditions. Portal provides examples from various cultures and time periods, including Greek and Roman mythology, Christian iconography, and medieval literature. Overall, ""An Essay On Symbolic Colors"" offers a comprehensive and insightful exploration of the significance of colors throughout history. It is a valuable resource for anyone interested in the cultural and historical significance of color symbolism.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

A Comparison of Egyptian Symbols - With those of the Hebrews is an unchanged, high-quality reprint of the original edition of 1878.Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.

The origin of the science of symbols is lost in the distance of time, and seems to be connected with the cradle of humanity - the oldest religions were governed by it; the arts of design, architecture, statuary, and painting were born under its influence, and primitive writing was one of its applications. Did symbols exist in spoken, before being translated into written, language? Were primitive words the source of symbols? These are the questions on which these researches are based. The first men, in order to express abstract ideas, borrowed images from surrounding nature; by a surprising intuition, they attached to each race and species of animals, to plants, and the elements, ideas of beauty or ugliness, of good or evil, of affection or hatred, of purity or uncleanness, of truth or error. Those fathers of the human race did not compare, but they named their ideas from corresponding objects in the material world; thus, if they wished to say, the king of an obedient people, they did not compare him to a bee governing a submissive hive, but they called him bee; if they desired to say filial piety, they did not compare it to the stork feeding its family, but they called it stork; to express power, they called it bull; the power of man, the arm; strength of soul, lion; the soul aspiring to heaven, the hawk that sails in the clouds and looks steadfastly at the sun. Primitive writing, the image of primitive speech, was entirely composed of symbolic characters, as demonstrated by the examples of China and Mexico, and the symbols we have just cited in Egyptian writing. If the principle, we have thus assumed, is true, the speech of the first people must have left profound traces of its ambiguities in the most ancient known languages; doubtless, in the lapse of time, figurative expressions passed from tropes to abstractions. The descendants of the patriarchs, in pronouncing the word bee, and attaching the idea of a king to it, no longer thought of the insect living in a monarchical state, hence arose a change in pronunciation, at first scarcely perceptible, but which, degenerating from tongue to tongue, finally destroyed every trace of symbolism; a dead poetry disinherited the living poetry of preceding ages; comparisons were instituted, and rhetoric took the place of symbols.

The origin of the science of symbols is lost in the distance of time, and seems to be connected with the cradle of humanity - the oldest religions were governed by it; the arts of design, architecture, statuary, aud painting were born under its influence, and primitive writing was one of its applications. Did symbols exist in spoken, before being translated into written, language? Were primitive words the source of symbols? These are the questions on which these researches are based. The first men, in order to express abstract ideas, borrowed images from surrounding nature; by a surprising intuition, they attached to each race and species of animals, to plants, and the elements, ideas of beauty or ugliness, of good or evil, of affection or hatred, of purity or uncleanliness, of truth or error.

Politique des lois civiles, ou Science des législations comparées. Tome premier / par le Bon Frédéric de Portal, ...Date de l'édition originale: 1873-1877Sujet de l'ouvrage: Droit civil -- 19e siècle -- Études comparativesDroit comparé -- 19e siècleLe présent ouvrage s'inscrit dans une politique de conservation patrimoniale des ouvrages de la littérature Française mise en place avec la BNF.HACHETTE LIVRE et la BNF proposent ainsi un catalogue de titres indisponibles, la BNF ayant numérisé ces oeuvres et HACHETTE LIVRE les imprimant à la demande.Certains de ces ouvrages reflètent des courants de pensée caractéristiques de leur époque, mais qui seraient aujourd'hui jugés condamnables.Ils n'en appartiennent pas moins à l'histoire des idées en France et sont susceptibles de présenter un intérêt scientifique ou historique.Le sens de notre démarche éditoriale consiste ainsi à permettre l'accès à ces oeuvres sans pour autant que nous en cautionnions en aucune façon le contenu.Pour plus d'informations, rendez-vous sur www.hachettebnf.fr

Politique des lois civiles, ou Science des législations comparées. Tome deuxième / par le Bon Frédéric de Portal, ...Date de l'édition originale: 1873-1877Sujet de l'ouvrage: Droit civil -- 19e siècle -- Études comparativesDroit comparé -- 19e siècleLe présent ouvrage s'inscrit dans une politique de conservation patrimoniale des ouvrages de la littérature Française mise en place avec la BNF.HACHETTE LIVRE et la BNF proposent ainsi un catalogue de titres indisponibles, la BNF ayant numérisé ces oeuvres et HACHETTE LIVRE les imprimant à la demande.Certains de ces ouvrages reflètent des courants de pensée caractéristiques de leur époque, mais qui seraient aujourd'hui jugés condamnables.Ils n'en appartiennent pas moins à l'histoire des idées en France et sont susceptibles de présenter un intérêt scientifique ou historique.Le sens de notre démarche éditoriale consiste ainsi à permettre l'accès à ces oeuvres sans pour autant que nous en cautionnions en aucune façon le contenu.Pour plus d'informations, rendez-vous sur www.hachettebnf.fr

WORK IS IN FRENCH This book is a reproduction of a work published before 1920 and is part of a collection of books reprinted and edited by Hachette Livre, in the framework of a partnership with the National Library of France, providing the opportunity to access old and often rare books from the BnF's heritage funds.