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This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
It was a wonderful night, such a night as is only possible when we are young, dear reader. The sky was so starry, so bright that, looking at it, one could not help asking oneself whether ill-humoured and capricious people could live under such a sky. That is a youthful question too, dear reader, very youthful, but may the Lord put it more frequently into your heart!... Speaking of capricious and ill-humoured people, I cannot help recalling my moral condition all that day. From early morning I had been oppressed by a strange despondency.
IN UNDERTAKING to describe the recent and strange incidents in our town, till lately wrapped in uneventful obscurity, I find myself forced in absence of literary skill to begin my story rather far back, that is to say, with certain biographical details concerning that talented and highly-esteemed gentleman, Stepan Trofimovitch Verhovensky. I trust that these details may at least serve as an introduction, while my projected story itself will come later. I will say at once that Stepan Trofimovitch had always filled a particular rôle among us, that of the progressive patriot, so to say, and he was passionately fond of playing the part-so much so that I really believe he could not have existed without it. Not that I would put him on a level with an actor at a theatre, God forbid, for I really have a respect for him. This may all have been the effect of habit, or rather, more exactly of a generous propensity he had from his earliest years for indulging in an agreeable day-dream in which he figured as a picturesque public character. He fondly loved, for instance, his position as a "persecuted" man and, so to speak, an "exile." There is a sort of traditional glamour about those two little words that fascinated him once for all and, exalting him gradually in his own opinion, raised him in the course of years to a lofty pedestal very gratifying to vanity. In an English satire of the last century, Gulliver, returning from the land of the Lilliputians where the people were only three or four inches high, had grown so accustomed to consider himself a giant among them, that as he walked along the streets of London he could not help crying out to carriages and passers-by to be careful and get out of his way for fear he should crush them, imagining that they were little and he was still a giant. He was laughed at and abused for it, and rough coachmen even lashed at the giant with their whips. But was that just? What may not be done by habit? Habit had brought Stepan Trofimovitch almost to the same position, but in a more innocent and inoffensive form, if one may use such expressions, for he was a most excellent man.
Fyodor Mikhaylovich Dostoyevsky, an Russian novelist and short story writer. He was born on 11th Nov 1821 and was died on 9th Feb 1881. His famous works includes: Crime and Punishment, The Idiot and The Brothers Karamazov.
The Idiot is a novel by the 19th-century Russian author Fyodor Dostoyevsky. It was first published serially in the journal The Russian Messenger in 1868-9.The title is an ironic reference to the central character of the novel, Prince (Knyaz) Lyov Nikolaevich Myshkin, a young man whose goodness and open-hearted simplicity lead many of the more worldly characters he encounters to mistakenly assume that he lacks intelligence and insight. In the character of Prince Myshkin, Dostoevsky set himself the task of depicting "the positively good and beautiful man". The novel examines the consequences of placing such a unique individual at the centre of the conflicts, desires, passions and egoism of worldly society, both for the man himself and for those with whom he becomes involved. The result, according to philosopher A.C. Grayling, is "one of the most excoriating, compelling and remarkable books ever written; and without question one of the greatest."
The Double centers on a government clerk who goes mad. It deals with the internal psychological struggle of its main character, Yakov Petrovich Golyadkin, who repeatedly encounters someone who is his exact double in appearance but confident, aggressive, and extroverted, characteristics that are the polar opposites to those of the toadying "pushover" protagonist. The Double is the most Gogolesque of Dostoyevsky's works; its subtitle "A Petersburg Poem" echoes that of Gogol's Dead Souls.
Fyodor Dostoyevsky (1821 - 1881), sometimes transliterated Dostoevsky, was a Russian novelist, short story writer, essayist and philosopher. Dostoyevsky's literary works explore human psychology in the context of the troubled political, social, and spiritual atmosphere of 19th-century Russia. This volume contains the original texts of some of his most famous short stories, including: Mr Prokharchin, An Honest Thief, A Christmas Tree and a Wedding, White Nights, A Nasty Story, The Crocodile, Bobok, A Gentle Creature, The Peasant Marey, and The Dream of a Ridiculous Man.
Poor Folk is the first novel by Fyodor Dostoyevsky, written over the span of nine months between 1844 and 1845. Dostoyevsky was in financial difficulty because of his extravagant living and his developing gambling addiction; although he had produced some translations of foreign novels, they had little success, and he decided to write a novel of his own to try to raise funds. Contemporary critics lauded Poor Folk for its humanitarian themes. While Vissarion Belinsky dubbed the novel Russia's first "social novel" and Alexander Herzen called it a major socialist work, other critics detected parody and satire. The novel uses a complicated polyphony of voices from different perspectives and narrators.
Crime and Punishment is a novel by the Russian author Fyodor Dostoyevsky. It was first published in the literary journal The Russian Messenger in twelve monthly installments during 1866. It was later published in a single volume. It is the second of Dostoyevsky's full-length novels following his return from 10 years of exile in Siberia. Crime and Punishment is considered the first great novel of his "mature" period of writing. Crime and Punishment focuses on the mental anguish and moral dilemmas of Rodion Raskolnikov, an impoverished ex-student in St. Petersburg who formulates and executes a plan to kill an unscrupulous pawnbroker for her cash. Raskolnikov, in attempts to defend his actions, argues that with the pawnbroker's money he can perform good deeds to counterbalance the crime, while ridding the world of a vermin. He also commits the murder to test a theory of his that dictates some people are naturally capable of such actions, and even have the right to perform them. Several times throughout the novel, Raskolnikov compares himself with Napoleon Bonaparte and shares his belief that murder is permissible in pursuit of a higher purpose.
In the midst of the steppes, of the mountains, of the impenetrable forests of the desert regions of Siberia, one meets from time to time with little towns of a thousand or two inhabitants, built entirely of wood, very ugly, with two churches-one in the centre of the town, the other in the cemetery-in a word, towns which bear much more resemblance to a good-sized village in the suburbs of Moscow than to a town properly so called. In most cases they are abundantly provided with police-master, assessors, and other inferior officials. If it is cold in Siberia, the great advantages of the Government service compensate for it. The inhabitants are simple people, without liberal ideas. Their manners are antique, solid, and unchanged by time.
Besy - odin iz spornykh romanov Dostoevskogo. Odni vidyat v nem prorocheskiy pamflet. Drugie - literaturnyy poligon dlya ispytaniya filosofskikh i sotsial'nykh idey. Tret'i - izoshchrennyy politicheskiy triller, ostroaktual'nyy dlya rossiyskoy zhizni konflikt mezhdu liberalami i patriotami, mezhdu storonnikami tsivilizatsionnogo evropeyskogo puti razvitiya Rossii i adeptami osobogo velikoderzhavnogo puti, otlichnogo i ot zapadnogo i ot vostochnogo. V osnove syuzheta lezhit real'noe sobytie: ekstremisty, chleny zakonspirirovannoy yacheyki likvidirovali svoego kollegu, reshivshego vremenno otoyti ot del. Vprochem, Dostoevskiy otnyud' ne stremitsya izlozhit' fakticheski dostovernuyu kartinu proizoshedshego. Ego tvorenie glubzhe; v chastnoy, edinichnoy, russkoy tragedii on nakhodit obshchemirovoe i obshchechelovecheskoe zlo. Avtor issleduet mirovozzrencheskiy konflikt mezhdu radikalami i konservatorami, patriotami i liberalami. Napryazhennoe detektivnoe deystvie romana, velikolepnye dialogi i oshchushchenie dokumental'nosti sobytiy. Yarkie, produmannye obrazy Stavrogina, Verkhovenskikh, prochikh uchastnikov ekstremistskoy yacheyki. Dostoevskiy izobrazhaet kampaniyu posledovateley silovogo puti dovol'no ottalkivayushche - kak nekuyu stayu... nekromantov, besov - metushchikhsya, otchayavshikhsya sushchestv. No esli Stavrogin i Kirillov - eto khaoticheskie temnye sushchnosti razrushayushchie mir vokrug sebya, tak i ne nashedshie svoego mesta v novoy real'nosti, to Petr Verkhovenskiy - khladnokrovnyy i raschetlivyy negodyay, legko adaptiruyushchiysya i voploshchayushchiy v zhizn' deystvitel'no chudovishchnye zamysly. Roman, bezuslovno, prorocheskiy. Imenno takie lyudi delali revolyutsiyu - v toy ili inoy ee chasti. Ikh istoricheskaya rol' - unichtozhenie tsivilizatsii, a sut' protsessa raskryta Dostoevskim v romane. Takie lyudi ne ischezli, oni, kak i ran'she gotovy razrushat' mir. V Besakh poyavlyaetsya, pozhaluy, rekordnoe dlya odnogo romana chislo personazhey, stavshikh vekhami mirovoy literatury i filosofii. Eto i Nikolay Stavrogin, nad kotorym vposledstvii tak tshchatel'no razmyshlyali Fridrikh Nitsshe i Zigmund Freyd. Aleksey Kirillov, ch'i idei povliyali na tvorchestvo frantsuzskogo pisatelya Al'bera Kamyu i filosofiyu ekzistentsialistov. Petr Verkhovenskiy s tovarishchami po yacheyke, ch'i obrazy pereosmyslyaet ital'yanskiy rezhisser Lukino Viskonti, issleduya novuyu besovshchinu XX veka - fashizm. Chto do mrachnykh zagovorov, podstrekatel'stva i ubiystva - vse eto vosprinimaetsya kak zaveshchanie (kotoromu suzhdeno bylo sbyt'sya) avtora potomkam: nenavist', zloba i agressiya nachinayutsya v besovskiy golove, a durnaya golova - pokoya ne daet i okruzhayushchikh sbivaet s vernogo puti. Tak, postepenno, razroslos' radikal'noe dvizhenie, v itoge perevernuvshee stranu vverkh nogami. Besy razgulyalis' v dushakh i umakh.
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Idiot. Izd.5 Fyodor Dostoyevsky
This is a new release of the original 1930 edition.
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Der Traum Eines Lacherlichen Menschen Fyodor Dostoyevsky Wiener Graphischen Werkstatte, 1922
In the stories in this volume Dostoevsky explores both the figure of the dreamer divorced from reality and also his own ambiguous attitude to utopianism, themes central to many of his great novels. In White Nights the apparent idyll of the dreamer's romantic fantasies disguises profound loneliness and estrangement from 'living life'. Despite his sentimental friendship with Nastenka, his final withdrawal into the world of the imagination anticipates the retreat into the 'underground' of many of Dostoevsky's later intellectual heroes. A Gentle Creature and The Dream of a Ridiculous Man show how such withdrawal from reality can end in spiritual desolation and moral indifference and how, in Dostoevsky's view, the tragedy of the alienated individual can be resolved only by the rediscovery of a sense of compassion and responsibility towards fellow human beings.
Fyodor Mikhaylovich Dostoyevsky, an Russian novelist and short story writer. He was born on 11th Nov 1821 and was died on 9th Feb 1881. His famous works includes: Crime and Punishment, The Idiot and The Brothers Karamazov.
Fyodor Mikhaylovich Dostoyevsky, an Russian novelist and short story writer. He was born on 11th Nov 1821 and was died on 9th Feb 1881. His famous works includes: Crime and Punishment, The Idiot and The Brothers Karamazov.
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
Returning to St Petersburg from a Swiss sanatorium, the gentle and naïve epileptic Prince Myshkin - the titular 'idiot' - pays a visit to his distant relative General Yepanchin and proceeds to charm the General, his wife, and his three daughters. But his life is thrown into turmoil when he chances on a photograph of the beautiful Nastasya Filippovna. Utterly infatuated with her, he soon finds himself caught up in a love triangle and drawn into a web of blackmail, betrayal, and finally, murder. Inspired by an image of Christ's suffering Dostoyevsky sought to portray in Prince Myshkin the purity of a 'truly beautiful soul' and explore the perils that innocence and goodness face in a corrupt world.
Read Dostoyevsky's original Brothers Karamazov without the need for a dictionary with this edition. Bringing you 159 pages of excerpts from Doystoyevsky's epic, this edition's Russian and English word-by-word translation are displayed side by side on separate pages, the stress labeled in bold for each Russian word, thereby eliminating the need for a dictionary. Study Dostoyevsky's most powerful passages with ease. This edition is a must for Russian language learners and Russian literature lovers wanting to read Dostoyevsky's original story.
Dieses Buch "Der Großinquisitor" wurde in der gesamten Menschheitsgeschichte als wichtig angesehen, und damit dieses Werk niemals vergessen wird, haben wir uns bemüht, es zu bewahren, indem wir dieses Buch in einem modernen Format für gegenwärtige und zukünftige Generationen neu herausgeben. Dieses ganze Buch wurde neu formatiert, neu abgetippt und gestaltet. Diese Bücher bestehen nicht aus gescannten Kopien ihrer Originalarbeit und daher ist der Text klar und lesbar.
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
In late in 1860s Russia there was an unusual level of political unrest caused by student groups influenced by liberal, socialist and revolutionary ideas imported from Europe. In 1869, Dostoevsky conceived the idea of a 'pamphlet novel' directed against the radicals. He focused on the group organized by young agitator Sergey Nechayev, particularly their murder of a former comrade at the Petrovskaya Agricultural Academy in Moscow. Prior to this, Dostoevsky had been working on a philosophical novel examining the psychological and moral implications of atheism. The political polemic and the psychological novel were merged into a single larger scale project, which became The Possessed.
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