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This accessible spiritual biography by a phenomenally popular author chronicles the beloved saint's calling, order, and influence. Its charm and wit will appeal to even the most secular-minded readers.
Chesterton's view of Christianity -- as a blend of philosophy and mythology, satisfying intellect and spirit -- applies to his brilliant book, which appeals to readers' heads as well as their hearts.
A companion volume to the "Orthodoxy in Hendrickson's Christian Classics" series. It unmasks the heresies of contemporary thinking by exposing the faulty thinking of popular notions, especially apparent in the arts. It focuses on the era's "heretics": those who pride themselves on their superiority to conservative views.
G. K. Chesterton''s surreal masterpiece is a psychological thriller that centers on seven anarchists in turn-of-the-century London who call themselves by the names of the days of the week. Chesterton explores the meanings of their disguised identities in what is a fascinating mystery and, ultimately, a spellbinding allegory. As Jonathan Lethem remarks in his Introduction, The real characters are the ideas. Chesterton''s nutty agenda is really quite simple: to expose moral relativism and parlor nihilism for the devils he believes them to be. This wouldn''t be interesting at all, though, if he didn''t also show such passion for giving the devil his due. He animates the forces of chaos and anarchy with every ounce of imaginative verve and rhetorical force in his body.
G. K. Chesterton's Father Brown may seem a pleasantly doddering Roman Catholic priest, but appearances deceive. With keen observation and an unerring sense of man's frailties-gained during his years listening to confessions-Father Brown succeeds in bringing even the most elusive criminals to justice. This definitive collection of fifteen stories, selected by the American Chesterton Society, includes such classics as "The Blue Cross,” "The Secret Garden,” and "The Paradise of Thieves.” As P. D. James writes in her Introduction, "We read the Father Brown stories for a variety pleasures, including their ingenuity, their wit and intelligence, and for the brilliance of the writing. But they provide more. Chesterton was concerned with the greatest of all problems, the vagaries of the human heart.”
"The Frenchman works until he can play. The American works until he can’t play; and then thanks the devil, his master, that he is donkey enough to die in harness. But the Englishman, as he has since become, works until he can pretend that he never worked at all." ‘Eugenics and Other Evils’ (1922) is a magnificent takedown of the entire basis of eugenic thought – the idea that controlled breeding will improve the human population. But it is about far more than eugenics: it is about how evil succeeds subtly, about politics and elitism, and it is a profound argument against unregulated capitalism. ‘Eugenics and Other Evils’ is a well-written, well-argued and incredibly interesting piece of writing.Gilbert Keith Chesterton (1874-1936) was one of the most prolific English writers of all time. He wrote poems, plays, essays, newspaper columns, and is especially known for his fictional priest detective Father Brown. His "frenemy", the author of Pygmalion, George Bernard Shaw, famously called him "a man of colossal genius" and the two of them would often engage in friendly public discussions with people like H.G. Wells and Clarence Darrow. Chesterton died in his home, and his last known words were a greeting to his wife, author Frances Blogg.
When Squire Vane receives some exotic trees from Africa, they quickly become the target of local superstition. Squire Vane is not the type of person to believe in anything supernatural and angrily dismisses their theories. But when a group of outside visitors develops an interest in the story, Vane decides to prove everyone wrong once and for all by doing what everyone is afraid of: going down to the trees at night. In the morning, he has disappeared without a trace.Reminiscent of the work of Henry James, ‘The Trees of Pride’ (1922) is extremely well-written and absorbing – a page turner of a mystery that ultimately leads to a crucial and fascinating philosophical point. Gilbert Keith Chesterton (1874-1936) was one of the most prolific English writers of all time. He wrote poems, plays, essays, newspaper columns, and is especially known for his fictional priest detective Father Brown. His "frenemy", the author of Pygmalion, George Bernard Shaw, famously called him "a man of colossal genius" and the two of them would often engage in friendly public discussions with people like H.G. Wells and Clarence Darrow. Chesterton died in his home, and his last known words were a greeting to his wife, author Frances Blogg.
"I am going to hold a pistol to the head of the Modern Man. But I shall not use it to kill him – only to bring him to life." Innocent Smith, an "allegorical practical joker", turns everything upside down with his arrival at Beacon House, a London Boarding establishment. His passion and liveliness brightens up the place immediately, but at the height of the enjoyment, everyone is shocked when Smith tries to murder one of them.But in ‘Manalive’ (1912), Chesterton’s perhaps most joyful novel, nothing is as it appears, and the tenants will soon see life a whole new way.Gilbert Keith Chesterton (1874-1936) was one of the most prolific English writers of all time. He wrote poems, plays, essays, newspaper columns, and is especially known for his fictional priest detective Father Brown. His "frenemy", the author of Pygmalion, George Bernard Shaw, famously called him "a man of colossal genius" and the two of them would often engage in friendly public discussions with people like H.G. Wells and Clarence Darrow. Chesterton died in his home, and his last known words were a greeting to his wife, author Frances Blogg.
"Men may keep a sort of level of good, but no man has ever been able to keep on one level of evil. That road goes down and down." A rich, old man has been mysteriously stabbed, and no one can figure out how it happened. There is no weapon in sight, no signs. However, there is something strange going on with his dog... This collection of mystery short stories is interesting and constantly surprising. Like Sherlock Holmes, Father Brown is extremely smart and observant, although he leans on his intuition far more than Sir Arthur Conan Doyle’s detective. Like Sherlock has Watson, Father Brown, too, has a companion: Flambeau. Who also happens to be a master thief.Gilbert Keith Chesterton (1874-1936) was one of the most prolific English writers of all time. He wrote poems, plays, essays, newspaper columns, and is especially known for his fictional priest detective Father Brown. His "frenemy", the author of Pygmalion, George Bernard Shaw, famously called him "a man of colossal genius" and the two of them would often engage in friendly public discussions with people like H.G. Wells and Clarence Darrow. Chesterton died in his home, and his last known words were a greeting to his wife, author Frances Blogg.
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