Bøger af Gabor Tüskés

This volume explores how Jansenism was transmitted into Central European literatures and how it shaped the concept of literature in the region. It investigates how and through which translators, publishers and patrons Jansenist ideas, texts and readings arrived in this area; how, to what extent, in what form and with what transfers these ideas impacted literature. The authors connect research methodologies that have traditionally been used separately from each other. Another objective is to systematize and critically evaluate earlier results while also revealing new sources. The volume puts moralist and anthropological discourses of Jansenist influence into a new perspective, with an emphasis on their links to literary and cultural history, aesthetics and the history of ideas.

The main aim of the work is to present emblematics in Hungary in its European context, and to show the reciprocal influence between that phenomenon and mainstream literature. The description of the theoretical and historical development in Hungary is supplemented by a series of case studies examining the effect of emblematics upon various literary genres. The final chapter analyzes the link between literary emblematics and the visual arts by looking at a specific example. As in most European countries, emblematics in Hungary is part of a complex labyrinth of literary modes of thought and expression. A relative poverty of theoretical writing went hand in hand with a considerable range of emblematic practice. The emblem proved to be a transitional form between the period when signs and motifs were regarded as having specific and fixed meanings and the modern period when we have developed a different and shifting concept of language and meaning. At the same time as emblems began to penetrate the more popular levels of national culture and literature, they also became more specialized. Hungarian emblematics used, for the most part, existing pictorial and textual combinations of pictures and texts. They employed the emblem notably in genres and texts of the genus demonstrativum, which referred to matters which were topical at the time.