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Ce volume de la Paléographie musicale, publié en 1894, propose une étude des manuscrits musicaux médiévaux et de la musique liturgique du Moyen Ãge, en se basant sur des documents originaux conservés dans les bibliothèques et les archives européennes. Les éditeurs étudient l'histoire et l'origine de ces oeuvres, ainsi que leur forme et leur notation. L'ouvrage offre ainsi un témoignage précieux sur la musique et la liturgie médiévales, ainsi que sur les pratiques de la copie des manuscrits à cette époque.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
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