Bøger af George Macdonald

Adela Cathcart V2 is a novel written by George MacDonald. It is the second volume in the Adela Cathcart series. The story follows Adela, a young woman who is struggling to find her place in the world. She is intelligent and creative, but she feels trapped by the expectations of society. Adela's journey is one of self-discovery as she grapples with her own desires and the pressures of those around her. Along the way, she meets a cast of characters who help her to see the world in a new light. The novel is a poignant exploration of the human experience and the search for meaning in life. MacDonald's writing is lyrical and evocative, drawing the reader into Adela's world and the struggles she faces. Adela Cathcart V2 is a timeless classic that continues to resonate with readers today.""'Permit me, however, ' rejoined one of the Shadows; and as he spoke, he approached the king, and lifting a dark fore-finger, drew it lightly, but carefully, across the ridge of his forehead, from temple to temple. The king felt the soft gliding touch go, like water, into every hollow, and over the top of every height of that mountain-chain of thought.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This collection assembles six of George MacDonald's best works of short fiction, which have inspired the imaginations of readers for over a century. From the the titular story of a neglected child who restores her family through a heart-rending discovery on Christmas, to the great fairy tale "Photogen and Nycteris," about two children raised in isolation by a witch, these stories are marked by rich diversity in content and style. Yet the common current running through all of them is the simple image of Christ, revealing himself quietly in the many and varied expressions of human love.

George MacDonald (10 December 1824 - 18 September 1905) was a Scottish author, poet, and Christian minister. He was a pioneering figure in the field of fantasy literature and the mentor of fellow writer Lewis Carroll. His writings have been cited as a major literary influence by many notable authors including W. H. Auden, C. S. Lewis, J. R. R. Tolkien, Walter de la Mare, E. Nesbit and Madeleine L'Engle. C. S. Lewis wrote that he regarded MacDonald as his "master": "Picking up a copy of Phantastes one day at a train-station bookstall, I began to read. A few hours later," said Lewis, "I knew that I had crossed a great frontier." G. K. Chesterton cited The Princess and the Goblin as a book that had "made a difference to my whole existence". Elizabeth Yates wrote of Sir Gibbie, "It moved me the way books did when, as a child, the great gates of literature began to open and first encounters with noble thoughts and utterances were unspeakably thrilling."Even Mark Twain, who initially disliked MacDonald, became friends with him, and there is some evidence that Twain was influenced by MacDonald.Christian author Oswald Chambers (1874-1917) wrote in Christian Disciplines, vol. 1, (pub. 1934) that "it is a striking indication of the trend and shallowness of the modern reading public that George MacDonald's books have been so neglected". In addition to his fairy tales, MacDonald wrote several works on Christian apologetics including several that defended his view of Christian Universalism.George MacDonald was born on 10 December 1824 at Huntly, Aberdeenshire, Scotland. His father, a farmer, was one of the MacDonalds of Glen Coe, and a direct descendant of one of the families that suffered in the massacre of 1692.The Doric dialect of the Aberdeenshire area appears in the dialogue of some of his non-fantasy novels.MacDonald grew up in the Congregational Church, with an atmosphere of Calvinism. But MacDonald never felt comfortable with some aspects of Calvinist doctrine; indeed, legend has it that when the doctrine of predestination was first explained to him, he burst into tears (although assured that he was one of the elect). Later novels, such as Robert Falconer and Lilith, show a distaste for the idea that God's electing love is limited to some and denied to others. MacDonald graduated from the University of Aberdeen, and then went to London, studying at Highbury College for the Congregational ministry............

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

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George MacDonald (10 December 1824 - 18 September 1905) was a Scottish author, poet, and Christian minister. He was a pioneering figure in the field of fantasy literature and the mentor of fellow writer Lewis Carroll. His writings have been cited as a major literary influence by many notable authors including W. H. Auden, C. S. Lewis, J. R. R. Tolkien, Walter de la Mare, E. Nesbit and Madeleine L'Engle. C. S. Lewis wrote that he regarded MacDonald as his "master" "Picking up a copy of Phantastes one day at a train-station bookstall, I began to read. A few hours later," said Lewis, "I knew that I had crossed a great frontier." G. K. Chesterton cited The Princess and the Goblin as a book that had "made a difference to my whole existence". Elizabeth Yates wrote of Sir Gibbie, "It moved me the way books did when, as a child, the great gates of literature began to open and first encounters with noble thoughts and utterances were unspeakably thrilling." Even Mark Twain, who initially disliked MacDonald, became friends with him, and there is some evidence that Twain was influenced by MacDonald. Christian author Oswald Chambers (1874-1917) wrote in Christian Disciplines, vol. 1, (pub. 1934) that "it is a striking indication of the trend and shallowness of the modern reading public that George MacDonald's books have been so neglected". In addition to his fairy tales, MacDonald wrote several works on Christian apologetics including several that defended his view of Christian Universalism. George MacDonald's best-known works are Phantastes, The Princess and the Goblin, At the Back of the North Wind, and Lilith, all fantasy novels, and fairy tales such as "The Light Princess", "The Golden Key", and "The Wise Woman". "I write, not for children," he wrote, "but for the child-like, whether they be of five, or fifty, or seventy-five." MacDonald also published some volumes of sermons, the pulpit not having proved an unreservedly successful venue. MacDonald also served as a mentor to Lewis Carroll (the pen-name of Rev. Charles Lutwidge Dodgson); it was MacDonald's advice, and the enthusiastic reception of Alice by MacDonald's many sons and daughters, that convinced Carroll to submit Alice for publication. Carroll, one of the finest Victorian photographers, also created photographic portraits of several of the MacDonald children. MacDonald was also friends with John Ruskin and served as a go-between in Ruskin's long courtship with Rose La Touche. MacDonald was acquainted with most of the literary luminaries of the day; a surviving group photograph shows him with Tennyson, Dickens, Wilkie Collins, Trollope, Ruskin, Lewes, and Thackeray. While in America he was a friend of Longfellow and Walt Whitman.

The Princess and the Goblin is a children's fantasy novel by George MacDonald. It was published in 1872 by Strahan & Co. The sequel to this book is The Princess and Curdie. Anne Thaxter Eaton writes in A Critical History of Children's Literature that The Princess and the Goblin and its sequel "quietly suggest in every incident ideas of courage and honor." Jeffrey Holdaway, in the New Zealand Art Monthly, said that both books start out as "normal fairytales but slowly become stranger", and that they contain layers of symbolism similar to that of Lewis Carroll's work.

George MacDonald (10 December 1824 - 18 September 1905) was a Scottish author, poet, and Christian minister. He was a pioneering figure in the field of fantasy literature and the mentor of fellow writer Lewis Carroll.George MacDonald was born on 10 December 1824 at Huntly, Aberdeenshire, Scotland. His father, a farmer, was one of the MacDonalds of Glen Coe, and a direct descendant of one of the families that suffered in the massacre of 1692.The Doric dialect of the Aberdeenshire area appears in the dialogue of some of his non-fantasy novels.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Before all the wondrous shows of the widespread space around him, what living, sentient thing loves not the all-joyous light, with its colours, its rays and undulations, its gentle omnipresence in the form of the wakening Day? The giant world of the unresting constellations inhales it as the innermost soul of life, and floats dancing in its azure flood; the sparkling, ever-tranquil stone, the thoughtful, imbibing plant, and the wild, burning, multiform beast-world inhales it; but more than all, the lordly stranger with the meaning eyes, the swaying walk, and the sweetly closed, melodious lips. Like a king over earthly nature, it rouses every force to countless transformations, binds and unbinds innumerable alliances, hangs its heavenly form around every earthly substance. Its presence alone reveals the marvellous splendour of the kingdoms of the world.

George Macdonald, scrittore di genere fantastico, si dice abbia influenzato Tolkien e Lewis, oltre che rivestire un ruolo importante in ambito teologico, essendo un ministro di culto cristiano scozzese. Lewis (l'autore delle Cronache di Narnia) lo riteneva addirittura un suo "maestro", e scrisse che un giorno, leggendo Phantastes, pensò di "aver attraversato una grande frontiera".Il Paese delle Fate, di cui narra in questo romanzo, uno dei suoi più famosi, pubblicato nel 1858, è più un luogo dello spirito che un mondo organizzato in una realtà parallela, come nei successivi romanzi del genere fantasy. Il protagonista, in seguito ad un desiderio, espresso inavvertitamente, di visitare il Paese delle Fate, si trova costretto ad un vero viaggio iniziatico nel suo inconscio personale e collettivo, dove, insieme a dolori passati non elaborati, proiezioni di donne ideali, e incubi presenti e passati espressi in vecchie leggende, rivivrà storie già lette o sognate, e troverà anche le risorse per superare i dolori e le paure e divenire un uomo reale, non più l'eroe idealizzato dalla sua fantasia di ragazzo. Questa versione è integrale, completa di tutte le poesie, canzoni che sono l'arma più potente per sciogliere ogni incantesimo, ed è accompagnata dalle illustrazioni originali di Arhtur Hughes, presenti nella prima edizione.

George MacDonald (10 December 1824 - 18 September 1905) was a Scottish author, poet, and Christian minister. He was a pioneering figure in the field of fantasy literature and the mentor of fellow writer Lewis Carroll. His writings have been cited as a major literary influence by many notable authors including W. H. Auden, C. S. Lewis, J. R. R. Tolkien, Walter de la Mare, E. Nesbit and Madeleine L'Engle. C. S. Lewis wrote that he regarded MacDonald as his "master": "Picking up a copy of Phantastes one day at a train-station bookstall, I began to read. A few hours later," said Lewis, "I knew that I had crossed a great frontier." G. K. Chesterton cited The Princess and the Goblin as a book that had "made a difference to my whole existence". Elizabeth Yates wrote of Sir Gibbie, "It moved me the way books did when, as a child, the great gates of literature began to open and first encounters with noble thoughts and utterances were unspeakably thrilling."Even Mark Twain, who initially disliked MacDonald, became friends with him, and there is some evidence that Twain was influenced by MacDonald.Christian author Oswald Chambers (1874-1917) wrote in Christian Disciplines, vol. 1, (pub. 1934) that "it is a striking indication of the trend and shallowness of the modern reading public that George MacDonald's books have been so neglected". In addition to his fairy tales, MacDonald wrote several works on Christian apologetics including several that defended his view of Christian Universalism.George MacDonald was born on 10 December 1824 at Huntly, Aberdeenshire, Scotland. His father, a farmer, was one of the MacDonalds of Glen Coe, and a direct descendant of one of the families that suffered in the massacre of 1692.The Doric dialect of the Aberdeenshire area appears in the dialogue of some of his non-fantasy novels.MacDonald grew up in the Congregational Church, with an atmosphere of Calvinism. But MacDonald never felt comfortable with some aspects of Calvinist doctrine; indeed, legend has it that when the doctrine of predestination was first explained to him, he burst into tears (although assured that he was one of the elect). Later novels, such as Robert Falconer and Lilith, show a distaste for the idea that God's electing love is limited to some and denied to others. MacDonald graduated from the University of Aberdeen, and then went to London, studying at Highbury College for the Congregational ministry.....

Sir Gibbie is an 1879 novel by the Scottish author George MacDonald. It is notable for its Doric dialogue, but has been criticised, especially by members of the Scottish Renaissance, for being part of the kailyard movement. Despite this there are far more who claim the book paints a fair view of urban as well as rural life. The book doesn't seem to dwell as long on physical geography as it does on the spiritual geography of the soul. MacDonald's editor, Elizabeth Yates wrote of Sir Gibbie, "It moved me the way books did when, as a child, the great gates of literature began to open and first encounters with noble thoughts and utterances were unspeakably thrilling." The book shows a complex cast of characters from all the social levels: from the laird to the homeless, going through a couple of priests, one of them prone to yield to worldly considerations, although he's good enough, or clever enough, not to fall into wickedness; the other merely pompous and self-righteous. The aim of the story is to show that the idea that bad people are the almost inevitable result of unjust social treatment is wrong. Wee Sir Gibbie has all the numbers to become one of the dregs of society: a drunkard father; as a child he gets in a den of assassins; in rags and poverty, he flies away; then he is punished for having done good to others. But he grows to become a Christ-figure, a knight-errant, a wrong-righter. In 1937, the novel was included in an influential list of notable English language literature entitled Literary Taste: How to Form It (second edition).

The Vicar's Daughter: An Autobiographical Story is a novel written by George Macdonald and published in 1872. The book tells the story of a young girl named Ethelwyn Percivale, who is the daughter of a vicar in a small English village. Ethelwyn grows up in a loving and nurturing environment, surrounded by her family and the members of her community. However, as she grows older, she begins to feel a sense of restlessness and a desire for something more in life.As Ethelwyn navigates the challenges of growing up and finding her place in the world, she faces a number of obstacles and setbacks. She struggles with her own feelings of inadequacy and self-doubt, and she is forced to confront the prejudices and limitations of the society in which she lives. Despite these challenges, Ethelwyn remains determined to pursue her dreams and live a fulfilling life.The Vicar's Daughter is a deeply personal and introspective work, drawing heavily on Macdonald's own experiences and beliefs. Through Ethelwyn's story, Macdonald explores themes of faith, love, and self-discovery, and offers a powerful commentary on the social and cultural norms of Victorian England.Overall, The Vicar's Daughter is a beautifully written and thought-provoking novel that offers a compelling portrait of a young woman's journey towards self-realization and fulfillment.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Excerpt: ...upon her hand. A moment after the youth caught the first glimpse of her blue eyes. They were fixed upon him with a strange look of greed, amounting to craving, but as if aware that they belied or betrayed her, she dropped them instantly. The moment she veiled them, her face, notwithstanding its colourless complexion, was almost beautiful. 'When the fish was ready the old woman wiped the deal table, steadied it upon the uneven floor, and covered it with a piece of fine table-linen. She then laid the fish on a wooden platter, and invited the guest to help himself. Seeing no other provision, he pulled from his pocket a hunting-knife, and divided a portion from the fish, offering it to the mother first. '"Come, my lamb," said the old woman; and the daughter approached the table. But her nostrils and mouth quivered with disgust. 'The next moment she turned and hurried from the hut. '"She doesn't like fish," said the old woman, "and I haven't anything else to give her." '"She does not seem in good health," he rejoined. 'The woman answered only with a sigh, and they ate their fish with the help of a little rye-bread. As they finished their supper, the youth heard the sound as of the pattering of a dog's feet upon the sand close to the door; but ere he had time to look out of the window, the door opened and the young woman entered. She looked better, perhaps from having just washed her face. She drew a stool to the corner of the fire opposite him. But as she sat down, to his bewilderment, and even horror, the student spied a single drop of blood on her white skin within her torn dress. The woman brought out a jar of whisky, put a rusty old kettle on the fire, and took her place in front of it. As soon as the water boiled, she proceeded to make some toddy in a wooden bowl. 'Meantime the youth could not take his eyes off the young woman, so that at length he found himself fascinated, or rather bewitched. She kept her eyes for the most part veiled with the...

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

I have been requested to write some papers on our Lord's miracles. I venture the attempt in the belief that, seeing they are one of the modes in which his unseen life found expression, we are bound through them to arrive at some knowledge of that life. For he has come, The Word of God, that we may know God: every word of his then, as needful to the knowing of himself, is needful to the knowing of God, and we must understand, as far as we may, every one of his words and every one of his actions, which, with him, were only another form of word. I believe this the immediate end of our creation. And I believe that this will at length result in the unravelling for us of what must now, more or less, appear to every man the knotted and twisted coil of the universe.

Princess Irene lives in a castle with her elusive great-great grandmother and her nanny. When she and her friend Curdie discover that a local race of Goblins is planning an attack on humans, they search for a way to stop it. Adapted for film in 1992, George MacDonald's fantasy novel is a strange tale in which things are rarely as simple as they seem.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Ranald Bannerman's Boyhood is a novel by Scottish author George MacDonald, first published in 1871. The book is a coming-of-age story that follows the adventures of Ranald Bannerman, a young boy growing up in rural Scotland in the mid-19th century. The story begins with Ranald's idyllic childhood, spent exploring the countryside, playing with his friends, and learning from his wise grandfather. But as he grows older, Ranald begins to encounter more complex challenges, including poverty, illness, and death. Despite these hardships, Ranald remains optimistic and resilient, drawing strength from his faith and his love for his family and community. Along the way, he learns valuable lessons about perseverance, kindness, and the importance of hard work. Throughout the book, MacDonald weaves together themes of faith, morality, and social justice, creating a rich and nuanced portrait of Scottish life in the 19th century. Ranald Bannerman's Boyhood is a timeless classic that continues to resonate with readers of all ages.""Well, there was a shepherd many years ago, who lived not far from the pot. He was a knowing man, and understood all about kelpies and brownies and fairies. And he put a branch of the rowan-tree ( mountain-ash), with the red berries in it, over the door of his cottage, so that the kelpie could never come in.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

George MacDonald (10 December 1824 - 18 September 1905) was a Scottish author, poet, and Christian minister. He was a pioneering figure in the field of fantasy literature and the mentor of fellow writer Lewis Carroll. His writings have been cited as a major literary influence by many notable authors including W. H. Auden, C. S. Lewis, J. R. R. Tolkien, Walter de la Mare, E. Nesbit and Madeleine L'Engle. C. S. Lewis wrote that he regarded MacDonald as his "master" "Picking up a copy of Phantastes one day at a train-station bookstall, I began to read. A few hours later," said Lewis, "I knew that I had crossed a great frontier." G. K. Chesterton cited The Princess and the Goblin as a book that had "made a difference to my whole existence". Elizabeth Yates wrote of Sir Gibbie, "It moved me the way books did when, as a child, the great gates of literature began to open and first encounters with noble thoughts and utterances were unspeakably thrilling." Even Mark Twain, who initially disliked MacDonald, became friends with him, and there is some evidence that Twain was influenced by MacDonald.

And so the young earl held his head high, looked as innocent as may be desirable for a gentleman, had many a fair clean hand laid in his, and many a maiden waist yielded to his arm, while "the woman" flitted about half an alien amongst her own, with his child wound in her old shawl of Lossie tartan; wandering not seldom in the gloaming when her little one slept, along the top of the dune, with the wind blowing keen upon her from the regions of eternal ice, sometimes the snow settling softly on her hair, sometimes the hailstones nestling in its meshes; the skies growing blacker about her, and the sea stormier, while hope retreated so far into the heavenly regions, that hope and heaven both were lost to her view. Thus, alas! the things in which he was superior to her, most of all that he was a gentleman, while she was but a peasant girl-- the things whose witchery drew her to his will, he made the means of casting her down from the place of her excellency into the mire of shame and loss. The only love worthy of the name ever and always uplifts.

George MacDonald was a Scottish writer and Christian minister. MacDonald's writings influenced many famous authors including J.R.R. Tolkien, C.S. Lewis, and G.K. Chesterton. Macdonald's most famous works are fantasy and children books such as The Princess and the Goblin, At the Back of the North Wind, and Phantastes.

I HAVE been asked to tell you about the back of the north wind. An old Greek writer mentions a people who lived there, and were so comfortable that they could not bear it any longer, and drowned themselves. My story is not the same as his. I do not think Herodotus had got the right account of the place. I am going to tell you how it fared with a boy who went there.

Once upon a time, so long ago that I have quite forgotten the date, there lived a king and queen who had no children. And the king said to himself, "All the queens of my acquaintance have children, some three, some seven, and some as many as twelve; and my queen has not one. I feel ill-used." So he made up his mind to be cross with his wife about it. But she bore it all like a good patient queen as she was. Then the king grew very cross indeed. But the queen pretended to take it all as a joke, and a very good one too. "Why don't you have any daughters, at least?" said he. "I don't say sons; that might be too much to expect." "I am sure, dear king, I am very sorry," said the queen. "So you ought to be," retorted the king; "you are not going to make a virtue of that, surely." But he was not an ill-tempered king, and in any matter of less moment would have let the queen have her own way with all his heart. This, however, was an affair of state. The queen smiled.

Within and Without is a collection of poems and short stories written by George Macdonald and published in 1872. The book is divided into two parts: the first part contains a series of poems that explore themes of love, faith, and the human experience, while the second part consists of short stories that delve into the complexities of human relationships and the struggle between good and evil.The poems in the first part of the book are deeply introspective and philosophical, with Macdonald using vivid imagery and metaphor to explore the mysteries of life and the human condition. The second part of the book features a series of short stories that are both thought-provoking and emotionally resonant, with Macdonald exploring themes of redemption, forgiveness, and the power of love to overcome even the darkest of circumstances.Overall, Within and Without is a powerful and deeply moving work of literature that explores some of the most fundamental questions of human existence. With its rich imagery, complex characters, and timeless themes, it remains a classic of English literature and a must-read for anyone interested in the deeper questions of life and the human experience.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.