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This book offers a critical examination of Friel's dramatic writing both within the context of Irish storytelling and considering his crucial position as a writer from the north of Ireland negotiating between the responsibilities of art and the demands of violent conflict.
This book reassesses the cultural and political dimensions of the Irish Revival's heroic ideal and explores its implications for the construction of Irish modernity. By foregrounding the heroic ideal, it shows how the cultural landscape carved out by these writers is far from homogenous.
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