Bøger af Gerard Carruthers

The Scottish poet W. S. Graham (1918-1986), born a hundred years ago just a few days after the end of the Great War, is increasingly recognized as a writer of enduring significance, both for Scottish poetry and for 20th century Modernist poetry more broadly. In this enthusiastic and wide-ranging lecture, Gerard Carruthers offers an informative introduction to Graham's achievement and a series of skillful and appreciative close readings of poems from different phases of Graham's writing career. The poet Andrew McNeillie, described this lecture as "a superior approach to the poet's oeuvre, early and late, ... label-free, disinterested criticism at its very best." This lecture is an edited version of Professor Carruthers's Hugh MacDiarmid Lecture, a biennial series established by the Poetry Association of Scotland, and given in March 2018 at the Scottish Poetry Library in Edinburgh. Quotations from Graham's poetry and the cover image are copyright, the Estate of W. S. Graham, 1999 and 2004, and are included here by permission of the Estate and Rosalind Mudaliar. All rights reserved.

A Companion to Scottish Literature offers fresh readings of major authors and periods of Scottish literary production from the first millennium to the present. Bringing together contributions by many of the world's leading experts in the field, this comprehensive resource provides the historical background of Scottish literature, highlights new critical approaches, and explores wider cultural and institutional contexts.Dealing with texts in the languages of Scots, English, and Gaelic, the Companion offers modern perspectives on the historical milieux, thematic contexts and canonical writers of Scottish literature. Original essays apply the most up-to-date critical and scholarly analyses to a uniquely wide range of topics, such as Gaelic literature, national and diasporic writing, children's literature, Scottish drama and theatre, gender and sexuality, and women's writing. Critical readings examine William Dunbar, Robert Burns, Walter Scott, Robert Louis Stevenson, Muriel Spark and Carol Ann Duffy, amongst others.With full references and guidance for further reading, as well as numerous links to online resources, A Companion to Scottish Literature is essential reading for advanced students and scholars of Scottish literature, as well as academic and non-academic readers with an interest in the subject.

A beautiful hardcover Pocket Classics collection of stories by great Scottish writers from the past two centuries ranging from Sir Walter Scott, Robert Louis Stevenson, and Sir Arthur Conan Doyle to Muriel Spark, Ali Smith, Irvine Welsh, and Leila Aboulela, and many more. Scottish Stories is a treasury of great writing from an entrancingly literary land. Scotland is known for its centuries of colorful Celtic folklore and its long tradition of spine-tingling ghost stories, as well as for fiction that revels in the gorgeous landscapes of the Highlands and the Western Isles and the rich histories of Edinburgh and Glasgow. Everyman's Library pursues the highest production standards, printing on acid-free cream-colored paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket.

In time for Burns Night (the annual celebration of Scottish culture that takes place on January 25, the birthday of Robert Burns)—a sweeping literary tour of Scotland from the Middle Ages to the present, the only single-volume collection of Scottish poetry currently available.Scottish poetry has a long and distinguished history in three languages—English, Scots, and Gaelic—and all are well represented here. The most renowned and beloved poets—Robert Burns, Sir Walter Scott, Robert Louis Stevenson, Hugh MacDiarmid, and Muriel Spark among them—mingle with their lesser-known but equally distinctive compatriots, including many of those who have emerged from the recent Scottish poetry renaissance. The poems are organized by theme: from matters of the heart to subjects spiritual and philosophical to the poetry of place. All of the verse is marked by a characteristic energy, wit, satire, and passionate lyrical intensity, and all demonstrates the power of art that proudly emanates from, but is never limited by, the place of its birth.

The most essential of the immortal poems and songs of Scotland's beloved national bard are collected in this volume. With the publication of his first book of poems in 1786, Robert Burns—the twenty-seven-year-old son of a farmer—became a national celebrity, hailed as the "Ploughman Poet." When he died ten years later, ten thousand people came to pay their respects at his funeral, and in the two centuries since then he has inspired a cultlike following among Scots and poetry lovers around the world.A pioneer of the Romantic movement, Burns wrote in a light Scots dialect with brio, emotional directness, and wit, drawing on classical and English literary traditions as well as Scottish folklore—and leaving a timeless legacy. All of his most famous lyrics and poems are here, from "A Red, Red Rose," "To a Mouse," and "To a Louse" to Tam o'Shanter, "Holy Willie's Prayer," and "Auld Lang Syne."

These essays offer fresh insight into the life and work of Muriel Spark (1918-2006). Looking at the cultural, literary, religious and personal frameworks that shaped her writing, The Crooked Dividend provides a comprehensive overview of Spark's multifaceted work through the examination of her publications, archive material, and colourful career.

The complexity of print culture in Britain between the seventeenth and nineteenth century is investigated in these wide-ranging articles.The essays collected here offer examinations of bibliographical matters, publishing practices, the illustration of texts in a variety of engraved media, little studied print culture genres, the critical and editorial fortunes of individual works, and the significance of the complex interrelationships that authors entertained with booksellers, publishers, and designers. They investigate how all these relationships affected the production of print commodities and how all the agents involved in the making of books contributed to the cultural literacy of readers and the formation of a canon of literary texts. Specific topics include a bibliographical study of Aphra Behn's Oroonoko and its editions from its first publication to the present day; the illustrations of John Bunyan's Pilgrim's Progress and the ways in which the interpretive matrices of book illustration conditioned the afterlife and reception of Bunyan's work; the almanac and the subscription edition; publishing history, collecting, reading, and textual editing, especially of Robert Burns's poems and James Thomson's The Seasons; the "e;printing for the author"e; practice; the illustrated and material existence of Sir Walter Scott's Waverley novels, and the Victorian periodical, The Athenaeum. Sandro Jung is Research Professor of Early Modern British Literature and Director of the Centre for the Study of Text and Print Culture at Ghent University. Contributors: Gerard Carruthers, Nathalie Colle-Bak, Marysa Demoor, Alan Downie, Peter Garside, Sandro Jung, Brian Maidment, Laura L. Runge.

This guide combines detailed literary history with discussion of contemporary debates about Scottishness. The book considers the rise of Scottish Studies, the development of a national literature, and issues of cultural nationalism. Beginning in the medieval period during a time of nation building, the book goes on to focus on the 'Scots revival' of the eighteenth and nineteenth centuries before moving on to discuss the literary renaissance of the twentieth century. Debates concerning Celticism and Gaelic take place alongside discussion of key Scottish writers such as William Dunbar, Robert Burns, Walter Scott, Thomas Carlyle, Margaret Oliphant, Hugh MacDiarmid, Alasdair Gray, Janice Galloway and Liz Lochhead. The book also considers emigre writers to Scotland; Scottish literature in relation to England, the United States and Ireland; and postcolonialism and other theories that shed fresh light on the current status and future of Scottish literature.Key Features*Identifies the main trends in the emergence and development of Scottish literature, situating them in historical and cultural context*Discusses long-running debates about Scottish language and national identity through detailed readings of authors and texts*Introduces students to a variety of comparative and theoretical approaches which further develop an understanding of Scottish literature*Encourages reflection on questions of Scottish nationalism, cultural politics, canonicity and the rise of Scottish Studies

Scotland has produced poetry that is patriotic, that paints landscapes, people and situations, that speaks to personal matters, and those equally everyday matters pertaining to the mind and to the spirit. The Christian heritage of Scotland has been played out in verse, through Celtic devotional works, Catholic works, and Protestant works.

Gerard Carruthers' SCOTNOTE study guide focuses on three novels: The Strange Case of Dr Jekyll and Mr Hyde, The Master of Ballantrae, and The Ebb-Tide. Suitable for senior school pupils and students at all levels.