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Gerardine Meaney investigates the complex relationships between Brenda Maddox's 1988 biography of Nora Barnacle, the wife of James Joyce and the film Nora, and locates the film in the context of new developments in costume drama and historical film in the 1990s.
Analyzes the role of gender in Irish cultural change from the 1890s onwards, exploring literature, the relationships between gender and national identities, and the recognized major political and cultural movements of the twentieth century. This title includes discussion of film, television and, popular music, as well as diverse literary texts.
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