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A book of poetic commentary that plots a steady course of disillusion. Working in explicit dialogue with Dada, the surrealist poets, spiritual writing, and drawing on midrash as a wellspring, Gil McElroy captures in poetry the process of a mind in thought.
Perfect for those pursuing the new trend in academia: the cross over between sciences and art: McElroy incorporates string theory.
These poems map zones of interaction during the "surface of last scattering"--the first formation of matter in the universe.
The language of poetics emerges into the light of the purely formalist and luminous "definitions" of things.
An active multiple streaming of apparently disparate sources: astronomy, theoretical cosmology and quantum physics, and the literary and visual arts.
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