Bøger af Gloria Moure

This beautifully produced volume is the updated and revised edition of Polígrafa's 2005 publication of the same name, which was designed and conceived in collaboration with the artist and includes documentation from his private archives. Sigmar Polke: Paintings, Photographs and Films is also the only publication to include a critical overview of the artist's films, and to examine the abiding import of Goya's painting, "El tiempo de las Viejas" ("The Time of the Old Women"), to Polke's oeuvre in general. (The new cover shows Polke photographing this painting in The Beaux Arts Museum in Lille, France.) Throughout, the volume demonstrates how Polke interpreted images of reality rather than reality itself, while also satirizing tendencies in contemporary painting, interrogating the role of the artist as author, dismantling the visual rhetoric of media photography and always embarking upon the most magnificent flights of imagination. Sigmar Polke: Paintings, Photographs and Films affirms the artist's oft-quoted observation that "there has to be an element of risk-taking for me, in my work."

Spanish sculptor Fernando Sinaga (born 1951) makes large-scale freestanding or wall-mounted monochromatic sculptures that draw heavily on the industrial patina of American Minimalism. Published for Sinaga's June 2011 retrospective at the MUSAC Museo de Arte Contemporáneo de Castilla y León, this volume surveys the sculptor's output of the past 30 years, also including his prints and drawings.

This volume compiles sculptures, photographs, drawings, writings and a selection of letters by Italian sculptor Medardo Rosso (1858-1928), a pioneer of modern sculpture hailed as a precursor to Italian futurism.

Architecture has always been a natural subject matter for photographers, but for most of the twentieth century the practice of architectural photography has been a professional endeavor--anonymous photographs taken for clients for specific, commercial reasons. This book concerns itself with another aspect of the phenomenon: the photography of architecture as an art practice. It considers the work of seven contemporary photographers who use buildings in their work in a new way. In these photographs, they respond to the work of prominent architects with their own singular interpretations. Here are Andreas Gursky's photos of the Stockhom Library by Gunnar Asplund, Thomas Ruff's photos of several works by Herzog & de Meuron, Hiroshi Sugimoto's photos of Le Corbusier's Villa Savoye, as well as works by Candida Hofer, Jeff Wall, Gunther Forg and Balthasar Burkhard. Architecture Without Shadow is a beautiful and valuable book on one of the prominent movements in contemporary photography.

On the Road is a recurrent title (motto) that only few times reflects the in-depth meaning of the expression. A key figure in this tradition - Francis of Assisi - is the starting point of the research on contemporary art we collect in this amazing publication.