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While visiting home from college, Grace Hale learned of her grandfather's legend: as sheriff in 1947 Mississippi, he saved a Black man from a lynch mob, only for the man to die during an escape. A deeper investigation, spurred by her studies on white supremacy, revealed a disturbing truth. Using a Carnegie fellowship, she delved into the story and discovered her family's narrative was skewed: the man's death was a lynching, challenging her perceptions of family, tragedy, and Southern history. The guilty party, she realized, was not an anonymous mob.
In Athens, Georgia in the '80s, if you were young and willing to live without much money, anything seemed possible. Cool Town reveals the passion, vitality, and enduring significance of a bohemian scene that became a model for others to follow.
Making Whiteness is a profoundly important work that explains how and why whiteness came to be such a crucial, embattled--and distorting--component of twentieth-century American identity. In intricately textured detail and with passionately mastered analysis, Grace Elizabeth Hale shows how, when faced with the active citizenship of their ex-slaves after the Civil War, white southerners re-established their dominance through a cultural system based on violence and physical separation. And in a bold and transformative analysis of the meaning of segregation for the nation as a whole, she explains how white southerners' creation of modern "whiteness" was, beginning in the 1920s, taken up by the rest of the nation as a way of enforcing a new social hierarchy while at the same time creating the illusion of a national, egalitarian, consumerist democracy.By showing the very recent historical "making" of contemporary American whiteness and by examining how the culture of segregation, in all its murderous contradictions, was lived, Hale makes it possible to imagine a future outside it. Her vision holds out the difficult promise of a truly democratic American identity whose possibilities are no longer limited and disfigured by race.
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