Bøger af Gregory Desilet

This work focuses on humanity's first technology--language--by placing the views of two of the greatest philosophers of the 20th century in direct confrontation on the topic of language/sign communication. It addresses the dominant role of language by the unexpected means of exposing the limits of words and signs for conveying meaning. Identifying these limits leads to the surprising realization that such limits are also precisely what make communication possible. Wittgenstein strives to shore up the foundation of meaning through a deeper understanding of the tension between rules and practice in the use of signs--while Derrida strives to expose the tension in the nature of the sign itself. This tension underscores the presence of the sign as intimately bound up with its absence. As a result, these two approaches feature contrasting roles for interpretation between a sign and its meaning. Highlighting the differences between these approaches reveals the play of hazards and benefits for language users when faced with alternative ways of understanding and accessing the power and potential of language.

Civilization seems to move ever more toward the power of words over weapons. But many people, especially Americans, still believe wrongs in life can be righted with a fist or a gun or a bomb. Cultural mythology lags reality and continues to send the message of regeneration through violence. But the transition to a healthier mythology is already underway and can be seen in the strength of an alternative trend in depictions of violence in storytelling. This book examines this trend by comparing examples drawn from film and television with the traditional popular dramatic approach--reflecting and promoting a culture of violence. This comparison shows that attitudes toward conflict in drama are a key indicator of a shift in awareness of violence in society. The book concludes with an account of increasing challenges confronting the individual in today's world and the necessity for individual producers and consumers to take greater responsibility for their choices--which shape culture through omnipresent and profoundly influential screen technology.

Examines media violence closely, analyzing psychological and social effects, the dramatic structure of melodrama and its context in reality, as well as specific films such as ""Pulp Fiction"", ""Psycho"", and ""The Passion of the Christ"".