Gør som tusindvis af andre bogelskere
Tilmeld dig nyhedsbrevet og få gode tilbud og inspiration til din næste læsning.
Ved tilmelding accepterer du vores persondatapolitik.Du kan altid afmelde dig igen.
1931. Universal Studios, Hollywood, is placing its hopes for Depression survival on Frankenstein, Mary Shelley's blasphemous saga of a man who made a Monster. During the shooting, a self-proclaimed witch, who performs a Black Mass in Malibu, sinuously infiltrates the company, seducing Colin Clive, the young, brilliant, alcoholic actor who plays Dr. Frankenstein. The result: a shocking scandal and murder that Universal desperately hides to protect its epic horror film. 1967. Come the psychedelic "Summer of Love," a witch is once again amok in Hollywood...with striking similarities to her 1931 predecessor. Someone burns the old Frankenstein set that still was standing on Universal's back lot. An aged Boris Karloff, who'd played Frankenstein's Monster, has received a death threat. A horrifying, ritualistic murder occurs. A veteran P.I. named Porter Down, who'd battled the 1931 witch, claims the atrocities are those of the original witch herself...who's been dead for 36 years. "I should know," says the investigator. "I was the one who killed her." Wildly colorful historic fiction, Frankenstein's Witch: St. Lizzie, Pray for Us is a macabre, time-traveling thriller, taking the reader back and forth to both Golden Age Hollywood of the early 1930s and the revolutionary drug world of the late 1960s. Spiking together film history, cultural revolution, and religious mania, it's a haunting, sometimes heartbreaking story. Gregory William Mank is an acclaimed film historian whose books include It's Alive! The Classic Cinema of Frankenstein; Bela Lugosi and Boris Karloff: A Haunting Collaboration; and the two-volume Women in Horror Films 1930s and 1940s. He's written and narrated the audio commentaries for such films as Dr. Jekyll and Mr. Hyde (1931), The Black Cat (1934), Cat People (1942), and The Lodger (1944), written scores of magazine articles, and appeared on many documentaries, including the recent theatrical release Boris Karloff: The Man Behind the Monster (2021). The winner of four Rondo awards, he lives in Delta, PA with his wife of 49-years, Barbara.
1931. Universal Studios, Hollywood, is placing its hopes for Depression survival on Frankenstein, Mary Shelley's blasphemous saga of a man who made a Monster. During the shooting, a self-proclaimed witch, who performs a Black Mass in Malibu, sinuously infiltrates the company, seducing Colin Clive, the young, brilliant, alcoholic actor who plays Dr. Frankenstein. The result: a shocking scandal and murder that Universal desperately hides to protect its epic horror film. 1967. Come the psychedelic "Summer of Love," a witch is once again amok in Hollywood...with striking similarities to her 1931 predecessor. Someone burns the old Frankenstein set that still was standing on Universal's back lot. An aged Boris Karloff, who'd played Frankenstein's Monster, has received a death threat. A horrifying, ritualistic murder occurs. A veteran P.I. named Porter Down, who'd battled the 1931 witch, claims the atrocities are those of the original witch herself...who's been dead for 36 years. "I should know," says the investigator. "I was the one who killed her." Wildly colorful historic fiction, Frankenstein's Witch: St. Lizzie, Pray for Us is a macabre, time-traveling thriller, taking the reader back and forth to both Golden Age Hollywood of the early 1930s and the revolutionary drug world of the late 1960s. Spiking together film history, cultural revolution, and religious mania, it's a haunting, sometimes heartbreaking story. Gregory William Mank is an acclaimed film historian whose books include It's Alive! The Classic Cinema of Frankenstein; Bela Lugosi and Boris Karloff: A Haunting Collaboration; and the two-volume Women in Horror Films 1930s and 1940s. He's written and narrated the audio commentaries for such films as Dr. Jekyll and Mr. Hyde (1931), The Black Cat (1934), Cat People (1942), and The Lodger (1944), written scores of magazine articles, and appeared on many documentaries, including the recent theatrical release Boris Karloff: The Man Behind the Monster (2021). The winner of four Rondo awards, he lives in Delta, PA with his wife of 49-years, Barbara.
Like a lovingly guided midnight tour, this book covers the seductive shadows of the most fascinating horror films and melodramas from the 1930s and 1940s. Included are profiles of the performers and filmmakers who made the nightmares feel all too real, and an examination of the factors that have kept these films popular so many decades later.
In 1944, Laird Cregar played Jack the Ripper in The Lodger, giving one of the most haunting performances in Hollywood history. It was the climax of a strange celebrity that saw the young American actor earn distinction as a portrayer of psychopaths and villains. This first biography of Cregar tells the heartbreaking story of the brilliant but doomed actor.
This book provides details about the lives and careers of 21 cinematic leading ladies, femmes fatales, monsters, and misfits, putting into perspective their contributions to the films and folklore of Hollywood terror - and also the sexual harassment, exploitation, and genuine danger they faced on the job.
This book provides details about the lives and careers of 21 cinematic leading ladies, femmes fatales, monsters, and misfits, putting into perspective their contributions to the films and folklore of Hollywood terror - and also the sexual harassment, exploitation, and genuine danger they faced on the job.
Tilmeld dig nyhedsbrevet og få gode tilbud og inspiration til din næste læsning.
Ved tilmelding accepterer du vores persondatapolitik.