Bøger af Haider Al-Moosawi

"working for the good of all" sounds resonant in the wisdom literature; wisdom artworks the Husseinist Theatre Theory advocates to promulgate a kind of humanitarianism, interfaith dialogue and philanthropy man could resort to in time of despondency and frustration. Thus, it is a kind of Platonism to prod "aphoristic literature", moral sagacity" and "uprightness" into the Islamic ethics the HTT exploits in its artwork. Humanism or ethical principles is/are traceable throughout ages since literature acts as a surrogate for religion and vice versa in guiding him into self-identification, self-knowledge and affinity with other people in the world, nations and nature. That is why self-knowledge takes precedence over other humanism manifestos as it is the "chief part of wisdom" finding great ground in the HTT tenets that proffer certain remedies for various sophisticated problems. Husseinist dramas convey a kind of wisdom cosmopolitan, universal, moral and beyond provincialism. There is no way to fathom the artistic values in a text, unless there is a precise perception and a detailed conception of the poeticism in the text at issue.

For eclecticism in explication to unknot a state of sophistication comes to fore as pivotal and requisite in a text persistent to be explored, many masterpieces linger unexplicated to the moment, some derail from their real and true targets, some depend mainly upon the creator; it is tacit that man fluctuates between different passions and circumstances, that is why such explication is to be prone to controversiality and altercation. A critic is to search and prospect for any vent or crack in a text to penetrate into the ores in question, sometimes a reader with depth and a critical eye could remove the boulder and observe the unobservable; usually there are two targets for the critical eye, the first is how to ponder over and over the text as it pertains to him, second is to dovetail all the four elements in one atmosphere: creator, text, milieu and the critical eye.

In a word , as both an arsenal of coexistence , pluralism and transculturalism and as a progenitor of all virtue on earth prophet Muhammad sprout in the desert and vales .There should be a confluence point or land all humans could ensconce themselves under without demure, without precedent. The more man plunges into life and experience, the more he finds himself in loss , the search for perfection falls into desuetude , dreams of tomorrow ceases short of salvaging someone on the verge of frustration . What is the remedy for all these dilemmas? What is the promising choice? Just trace the consensus line in all religions on earth , it is the impeccable prophet Muhammad , surely you will infer and observe , he is a prophet for all man on earth and gives everyone , regardless of race, colour , language and blood, his due , his right and duty . Just have a desultory reading on the man who yokes all cultures altogether in one culture calling for peace and tolerance.

"Working for the good of all" sounds resonant in the wisdom literature; wisdom artworks the HTT, Husseinist Theatre Theory, advocates to promulgate a kind of humanitarianism, interfaith dialogue and philanthropy man could resort to in time of despondency and frustration. It is a kind of Platonism to prod "aphoristic literature", moral sagacity " and "uprightness" into the Islamic ethics the HTT exploits in its artwork. Humanism or ethical principles is / are traceable throughout ages since literature acts as a surrogate for religion and vice versa in guiding him into self-identification, self-knowledge and affinity with other people in the world, nations and nature. That is why self-knowledge takes precedence over other humanism manifestos as it is the "chief part of wisdom" finding great ground in the HTT manifestos that proffer certain remedies for various sophisticated problems, Husseinist dramas convey a kind of wisdom cosmopolitan, universal, moral and beyond provincialism.