Bøger af Hanif Kureishi

The Black Album is the second novel by Hanif Kureishi, one of the most praised and influential writers of our times. It is set in London in 1989, the year after the second acid-fuelled 'summer of love' - also the year in which the Ayatollah Khomeini pronounced his infamous fatwa upon Salman Rushdie.The Black Album is a portrait of a young Asian man being pulled in conflicting directions: one way by the lure of sexual and hallucinogenic hedonism, another by the austere certitudes of Islam. Shahid Hasan, a clean-cut kid from the provinces, comes to London after the death of his father. He makes his home in a Kilburn bedsit, falls in love with postmodernist college lecturer Deedee Osgood, and soon finds himself passionately embroiled in a spiritual battle between liberalism and fundamentalism.

Winner of the Whitbread First Novel Award'A wonderful novel. I doubt I will read a funnier one, or one with more heart, this year, possibly this decade.' Angela Carter, GuardianThe hero of Hanif Kureishi's first novel is Karim, a dreamy teenager, desperate to escape suburban South London and experience the forbidden fruits which the 1970s seem to offer. When the unlikely opportunity of a life in the theatre announces itself, Karim starts to win the sort of attention he has been craving - albeit with some rude and raucous results.'One of the best comic novels of growing up, and one of the sharpest satires on race relations in this country that I've ever read.' Independent on Sunday'Brilliantly funny. A fresh, anarchic and deliciously unrestrained novel.' Sunday Times'A distinctive and talented voice, blithe, savvy, alive and kicking.' Hermione Lee, Independent

Omar is a restless young Asian man, caring for his alcoholic father in the hustling London of the mid-1980s. His uncle, a keen Thatcherite, offers Omar an entrepreneurial opportunity to revamp a dingy laundrette, and ambitious Omar rolls up his sleeves, enlisting the assistance of his old school-friend Johnny, who has since fallen in with a gang of neo-fascists. Omar and Johnny soon form an unlikely alliance that leads to business success, as well as other, more intimate surprises.

Hanif Kureishi already has introduced Americans to new fictional territory in his two films, My Beautiful Laundrette and Sammy and Rosie Get Laid, and in his novel, The Buddha of Suburbia. His latest screenplay, London Kills Me, which he describes as "a story about two guys looking for these shoes", returns viewers and readers to London streetlife and culture that only Kureishi could reveal. This collection includes his three screenplays as well as essays about the background of each film or life on the set or the hilarity of the Academy Awards in Hollywood. In addition, Kureishi has written about the Beatles--a comic commentary on class and culture in England. Together these essays and screenplays illuminate the remarkable imagination and wit of an extraordinarily acute and irreverent social analyst who has secured his place at the forefront of both the film and literary worlds with his uniquely recognizable voice.

Described in a recent New York Times Magazine profile as a "postcolonial Philip Roth," Hanif Kureishi first captured the attention of audiences and critics in the 1980s with the award-winning novel The Buddha of Suburbia and the films My Beautiful Laundrette and Sammy and Rosie Get Laid. In three decades of acclaimed work, Kureishi has written fiction and films exploring a series of interconnected themes about identity and desire—from Islamic radicalism to kinky sex, and from psychoanalysis to the relationships of fathers and sons. After discovering an abandoned manuscript of his father’s, hidden for years, Kureishi was compelled to turn his "unflinching perspective" (Time Out) onto his own history. Like Roth, Martin Amis and Geoffrey Wolfe, who also have written books about their fathers, Kureishi wanted to understand and perhaps to reconcile. My Ear at His Heart offers remarkable insight into the birth of a writer, chronicling how Kureishi’s own literary calling emerged from the ashes of his father’s aspirations. And so begins a journey that takes Kureishi through his father’s privileged childhood by the sea in Bombay, through the turbulent birth of Pakistan and to his modest adult life in England—his days spent as a civil servant, his nights writing prose, hopeful of one day receiving literary recognition. "A beguiling and complex tale of fact, fiction and family tensions" (The Guardian), My Ear at His Heart was published to great acclaim in the United Kingdom in 2004 and went on to win the prestigious Prix France Culture Etranger. Now, this profound work from one of the most compelling artists of our time is at last available in a Scribner edition.

Originally published: Great Britain: Faber and Faber, 2002.

Diese Stories für die Abiturprüfung Hessen 2022 behandeln das Thema "The encounter of cultures".Enthalten sind:George Orwell: Shooting an ElephantHanif Kureishi: My Son the FanaticZadie Smith: The Cambodian Embassy

England in den 1990er Jahren. Parvez, ein pakistanischer Taxifahrer, arbeitet hart, um seinem Sohn Ali eine erfolgreiche Zukunft in der neuen Heimat zu ermöglichen. Eines Tages jedoch entdeckt Parvez eigenartige Veränderungen an seinem Sohn. Bald findet er heraus, dass sich Ali auf der Suche nach seinen Wurzeln dem Islam zugewandt hat und sich zunehmend radikalisiert ...Hanif Kureishis Kurzgeschichte "My Son the Fanatic" erschien erstmals 1996 und ist heute aktueller denn je: Immigranten der zweiten Generation fühlen sich oft fremd in ihrer Heimat. Einige suchen Halt in religiösem Fundamentalismus.Kureishis Kurzgeschichte ist geeignet als Schullektüre in der Oberstufe. Dieses Unterrichtsmodell liefert einen praxisorientierten Leitfaden zur Behandlung im Unterricht.Das Unterrichtsmodell enthält die gesamte Kurzgeschichte mit Annotationen.

Passend zum Schwerpunktthema "Post-colonialism and migration - Ethnic communities in 21st-century Britain"Warum entscheidet Ali, der Sohn eines pakistanischen Einwanderers, dem es mit einem lohnenden Beruf und einer englischen Freundin sehr gut geht, alles über Bord zu werfen, um ein muslimischer Fanatiker zu werden? In einer besonders gut verfassten Kurzgeschichte versucht Hanif Kureishi diese Frage zu beantworten. Dennoch ist die Frage auf keinen Fall einfach. Erstens ist Parvez, Alis Vater, kaum ein Vorbild für ihn. Er isst Schweinefleisch, trinkt Alkohol und ist Ehebrecher. Ali wirft ihm vor, dass er "zu sehr in westliche Gesellschaft verwickelt ist." Parvez weiß nicht mehr, was er mit seinem Sohn machen soll. Aus Frust tritt und schlägt er ihn. "Wer ist denn jetzt der Fanatiker?", fragt Ali. Die Lektüre enthält fundierte Lesehilfen, ausführliche Annotationen und zahlreiche Zusatzmaterialien.

1989. Shahid hat seine bürgerliche Familie verlassen, um in London zu studieren. Dort schließt er sich einer Gruppe junger, scheinbar konservativer Muslime an, die sich jedoch als bücherverbrennende Fanatiker entpuppen. Gleichzeitig lässt er sich aber auch auf eine intellektuelle und sexuelle Beziehung mit seiner drogenabhängigen Professorin ein. Shahid ist unentschlossen und hin- und hergerissen, bis er Zeuge und schließlich selbst das Opfer der Gewalt fanatischer Muslime wird. Abiturempfehlung zu den Themenbereichen Multicultural society und Terrorism

Passend zum Schwerpunktthema "Post-colonialism and migration - Ethnic communities in 21st-century Britain"Sahdid, der Protagonist von The Black Album, schließt sich naiv einer Gruppe radikaler Studenten an - Muslime pakistanischer Herkunft, die in Großbritannien aufwuchsen, ebenso wie Sahdid selbst. Sie lehnen westliche Werte ab und sympathisieren offen mit dem Terrorismus. Kann Sahdids Lehrerin und Freundin Deedee ihn aus den Fängen seiner fanatischen Freunde befreien?Das im Juli 2009 am Londoner Nationaltheater uraufgeführte Stück von Hanif Kureishi basiert auf dem 14 Jahre zuvor veröffentlichten gleichnamigen Roman und spielt im Jahr 1989, gegen Ende der Thatcher-Jahre. Diese Ausgabe ist mit hilfreichen Annotationen, Kommentaren und Hintergrundinformationen angereichert.

'No one else casts such a shrewd and gimlet eye on contemporary life.' - William BoydComic, dark and insightful, What Happened? is Hanif Kureishi's new collection of essays and fiction.

This collection begins in the early 1980s with The Rainbow Sign, which was written as the Introduction to the screenplay of My Beautiful Laundrette. It allowed Kureishi to expand upon the issues raised by the film : race, class, sexuality - issues that were provoked by his childhood and family situation. In the ensuing decades, he has developed these initial ideas, especially as the issue of Islam's relation to the West has become one of the burning issues of the time.Kureishi shows how flexible a form the essay can be - as intellectual as Sontag or Adam Phillips, as informal and casual as Max Beerbohm, as cool and minimalist as Joan Didion, or as provocative as Norman Mailer. As with his fictional work, these essays display Kureishi's ability to capture the temper of the times.

The protagonist of Hanif Kureishi's delightful novel is Gabriel, a fifteen-year-old North London schoolboy trying to come to terms with a new life, after the equilibrium of his family home has been shattered by the ousting of his father.Fending for himself, as well as providing emotional support to his confused (and confusing) parents, Gabriel is forced to grow up quickly. The only support he can draw upon is from his remembered twin brother, Archie, and from his own 'gift', which is accompanied by sensations that urge him into areas of life requiring the utmost courage and faith. A chance visit to seventies rock star Lester Jones crystallizes the turbulent emotions inside Gabriel, and helps him to recognize and engage with his gift . . .'A charming, light-textured fable about talent, about how single-minded creativity might embrace and even be buoyed by the heartbreaking muddle of everyday life.' Observer

Shortlisted for the Bollinger Everyman Wodehouse PrizeMamoon is an eminent Indian-born writer who has made a career in England - but now, in his early 70s, his reputation is fading, sales have dried up, and his new wife has expensive taste.Harry, a young writer, is commissioned to write a biography to revitalise both Mamoon's career and his bank balance. Harry greatly admires Mamoon's work and wants to uncover the truth of the artist's life. Harry's publisher seeks a more naked truth, a salacious tale of sex and scandal that will generate headlines. Meanwhile Mamoon himself is mining a different vein of truth altogether.Harry and Mamoon find themselves in a battle of wills, but which of them will have the last word?The ensuing struggle for dominance raises issues of love and desire, loyalty and betrayal, and the frailties of age versus the recklessness of youth.Hanif Kureishi has created a tale brimming with youthful exuberance, as hilarious as it is touching, where words have the power to forge a world.

This volume collects the best of the non-fiction writings by Hanif Kureishi since 1985. These include political essays, essays about his father, analyses of both the craft and the job of writing, and explorations of how the life of the mind expresses itself in creative endeavours.

Jamal Khan, a psychoanalyst in his fifties living in London, is haunted by memories of his teens: his first love, Ajita; the exhilaration of sex, drugs and politics; and a brutal act of violence which changed his life for ever. As he and his best friend Henry attempt to make the sometimes painful, sometimes comic transition to their divorced middle age, balancing the conflicts of desire and dignity, Jamal's teenage traumas make a shocking reappearance in his present life.'A great comic writer and a peerless connoisseur of the human mystery.' Independent'A novel that describes with such elegant seriousness the fear of ageing, the inanition of pleasure, the survival of love, the longing to understand and be understood.' Sunday Telegraph'A vital, teeming, panoramic, immersive novel.' Time Out'There is more that is worth thinking about in Something to Tell You than in the work of almost any other current British novelist.' Evening Standard

What if you were middle-aged and were offered the chance to trade in your sagging flesh for a much younger and more pleasing model? This is the situation in which one character in this collection of stories finds himself. Taking the plunge, he embarks on an odyssey of hedonism but soon has regrets.

'It is the saddest night, for I am leaving and not coming back.'Jay is leaving his partner and their two sons. As the long night before his departure unfolds he remembers the ups and downs of his relationship with Susan. In an unforgettable, and often pitiless, reflection of their time together he analyses the agonies and the joys of trying to make a life with another person.

Love in a Blue Time is a brilliant collection of stories by the bestselling author of The Buddha of Suburbia. This time, Hanif Kureishi's subject is the difficult, serious business of love - and hate. His stories have all the qualities of his novels: they are funny, inventive, bawdy, and aggressively contemporary. The characters that stride out of the pages of Love in a Blue Time, however damaged, deranged or despicable, are united by one thing: they are all creatures of strong desire.'In this haunting, troubling collection of short stories, Hanif Kureishi has finally embraced the decadence that has lain in wait for him . . . A tense, desolate and consuming collection.' Observer'The whole collection buzzes with anger and angst.' Time Out

In 1981 Hanif Kureishi was voted Most Promising Playwright of the Year by the London Theatre Critics for his plays Borderline and Outskirts. In his extended and witty introduction, Kureishi looks at his work in the theatre at that time, while assessing the significance of radical British theatre during the 1970s.

Hate skews reality even more than love.In the story of a Pakistani woman who has begun a new life in Paris, an essay about the writing of Kureishi's acclaimed film Le Week-End, and an account of Kafka's relationship with his father, readers will find Kureishi also exploring the topics that he continues to make new, and make his own: growing up and growing old; betrayal and loyalty; imagination and repression; marriage and fatherhood. The collection ends with a bravura piece of very personal reportage about the conman who stole Kureishi's life savings - a man who provoked both admiration and disgust, obsession and revulsion, love and hate.

Over the course of the last 12 years, Hanif Kureishi has written short fiction. The stories are, by turns, provocative, erotic, tender, funny and charming as they deal with the complexities of relationships as well as the joys of children.This collection contains his controversial story Weddings and Beheadings, a well as his prophetic My Son the Fanatic, which exposes the religious tensions within the muslim family unit. As with his novels and screenplays, Kureishi has his finger on the pulse of the political tensions in society and how they affect people's everyday lives.

With VENUS, Hanif Kureishi turns his piercing gaze onto the pains of old age. Maurice (Peter O'Toole) and Ian (Leslie Phillips) are veteran stage actors whose slow, inevitable decline is disrupted by the arrival in their lives of Ian's niece Jessie (Jodie Whittaker). While Jessie's housekeeping skills make for a bone of contention with Ian, Maurice finds himself attracted to her. Kureishi has crafted a disturbing, wry and profoundly moving swansong for his characters. Also included in this volume is an Introduction by Kureishi in which he describes the inspiration he drew from the Japanese master Tanizaki.

Hanif Kureishi's cinematic storytelling embraces a wide spectrum of characters from all classes and nationalities, depicting them with compassion, humour and relish, though never fighting shy of controversy. This volume comprises four of Kureishi's screenplays.My Beautiful Laundrette (1985)Omar is a restless young Asian man, caring for his alcoholic father in the hustling London of the mid-1980s. His uncle, a keen Thatcherite, offers Omar an entrepreneurial opportunity to revamp a dingy laundrette, and ambitious Omar rolls up his sleeves, enlisting the assistance of his old school-friend Johnny, who has since fallen in with a gang of neo-fascists. Omar and Johnny soon form an unlikely alliance that leads to business success, as well as other, more intimate surprises.Sammy and Rosie Get Laid (1987)1980s London, and Sammy and Rosie share an 'open' marriage, strings of lovers, and a bohemian existence amidst inner-city turmoil. Sammy's father, Rafi, formerly a government minister in India, visits London as racial tensions rise with the death of a woman in a police raid. Rafi offers Sammy financial assistance if the couple will leave their 'war zone' behind them and produce grandchildren. But Rafi's own shady past threatens to haunt him.London Kills Me (1991)A weekend in the lives of homeless Clint and his pal Muffdiver, youthful veterans of the streets of London, whose chief source of income derives from selling drugs to the wealthier denizens of Notting Hill. But what Clint wants more than anything else is a proper job, and he's been promised a position as a waiter in a restaurant - on the condition that he can come up with a pair of 'sensible' shoes.My Son the Fanatic (1997)Parvez is a Pakistani cab driver in a northern industrial town who chauffeurs young prostitute Bettina. Their gentle friendship grows more tender as Parvez's home life starts to crumble, his son Farid embracing a fundamentalist sect of Islam and rejecting his father's values. When Farid then involves himself with a group committed to purging the town of corruption, Parvez is compelled to choose where his loyalties lie.

Over the past 10 years Hanif Kureishi has charted the gradual widening of the gulf between fundamentalist Islam and Western values. Starting with THE BLACK ALBUM, Kureishi portrayed the ongoing argument between Islam and Western liberal values, between Islamic certainty and Western rational scepticism. By the time he was writing the short sotry, MY SON THE FANATIC, the break was complete - there was no longer any attempt by the fundmentalists to find any common ground with Western culture.The outbreak of the Iraq war and its aftermath, plus the recent bombings in London, have stimulated Kureishi to write further about this great divide between the East and the West, and this volume collects Kureishi's writings from the past 10 years which have have dealt with this subject, charting Islam's disengangemnt from dialogue with the West.The volume also contains a new piece, written especially for this book, which brings Kureishi's analysis of the situation right up to date.