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Divided into six sections, the collection opens with 'Edinburgh is a Story', a commissioned poem performed at the opening of the 2022 Edinburgh International Festival.The collection then delves into the past and into the unwritten women of Robert Louis Stevenson's The Strange Case of Dr Jekyll and Mr Hyde. With vignettes of the unheard voices from Stevenson's gothic masterpiece, this is a powerfully vivid evocation that gives new meaning to the tale. In her longest piece in the book, Fractals (a way if seeing infinity), Hannah looks at the recent past and takes the reader on a journey from the old inherited wounds to the trauma of tearing open again these chasms within recent discourses and events.
Hope is a superpower.Running is Alice's happy place - you might even say it's in her DNA. She's the best runner at her school but is struggling to prove her worth. Jade is slowly coming to realise that prejudices can be found everywhere, even in the most surprising places. Realising that her education is ill-equipped to encompass her own history and heritage, and taunted by bullies at school, she knows it's time to tell her own story. Meanwhile, litter is piling up in the local forest, and all over the world an environmental crisis is looming. Chloe is determined to make a change, starting with the town.Three girls prepare to stand up for what they believe in despite the injustices stacked against them in this new play exploring what it takes to make a difference, the power of friendship, and the importance of believing in your own voice.Co-commissioned by Fuel, Imaginate and Northern Stage. Developed and supported by the Scottish Government's Festivals Expo Fund and Imaginate's Accelerator programme. Protest is published in Methuen Drama's Plays for Young People series which offers suitable plays for young performers and audiences at schools, youth groups, and youth theatres.
Blood Salt Spring is a meditation on where we are - exploring ideas of nation, race and belonging. Much of the collection tackles the isolation and traumas of 2020, but it also looks to find some meaning and makes an attempt to heal the pain and vulnerabilities that were picked and cut open again in the recent cultural shifts and political wars.
Based upon the true story of a death in custody, Lament for Sheku Bayoh asks the urgent question, is Scotland really a safe place?
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