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"I am thrown by Hari's collection where the city is akimbo and cut with cactus sap, whalesong, the child and father where the voice shakes with the elders drinking grog, longing for stray dogs and alleyways. In the gentle sway of a flag, Hari finds violence-because he carries a new, quiet brush of multi-currents, of multi-worlds to paint this holographic life-scape; a most rare set of poems-with jazz beat word lines, long-line wisdom and open space scenes where you can widen your eyes, scrape your hands and rush into colliding worlds, the "phosphorescence," that is, the "flow mixed," the "blur of it," "the infinite capacities," the "drunk-walk" of total vision. Love this post-surreal kulingtang, read Hari's oceanics, his cement melter; it is pushing out your green rain skin-come back with your delicious original self. Bravo, many bravos!" -Juan Felipe Herrera, former U.S. Poet Laureate
Hari Alluri has been described by US Poet Laureate Juan Felipe Herrera as a writer who "carries a new, quiet brush of multi-currents, of multi-worlds to paint this holographic life-scape." In The Flayed City, he offers an intimate look into the lives of city dwellers and immigrants in a collection of charged poems that sweep together "an archipelago song" scored by memory and landscape, history and mythology, desire and loss. Driven by what is residual--displacement, family, violent yet delicate masculinity, undervalued yet imperative work--Alluri's lines quiver with the poet's distinctive rendering of praise and lament steeped with "gravity and blood" where "the smell of ants being born surrounds us" and "city lights form constellations // invented to symbolize war." The Flayed City offers a powerful glimpse into a secondary world whose cities, cultural histories and trajectories are hybrids or "immigrated" versions of this one.
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