Bøger af Harold Pinter

This revised third volume of Harold Pinter's work includes The Homecoming, Old Times, No Man's Land, four shorter plays, six revue sketches and a short story. It also contains the speech given by Pinter in 1970 on being awarded the German Shakespeare Prize. The Homecoming 'Of all Harold Pinter's major plays, The Homecoming has the most powerful narrative line... You are fascinated, lured on, sucked into the vortex.' Sunday Telegraph 'The most intense expression of compressed violence to be found anywhere in Pinter's plays.' The Times Old Times 'A rare quality of high tension is evident, revealing in Old Times a beautifully controlled and expressive formality that has seldom been achieved since the plays of Racine.' Financial Times 'Harold Pinter's poetic, Proustian Old Times has the inscrutability of a mysterious picture, and the tension of a good thriller.' Independent No Man's Land 'The work of our best living playwright in its command of the language and its power to erect a coherent structure in a twilight zone of confusion and dismay.' The Times

The second volume of Harold Pinter's collected work includes The Caretaker.The CaretakerIt was with this play that Harold Pinter had his first major success. The obsessive caretaker, Davies, is a classic comic creation, and his uneasy relationship with the enigmatic Aston and Mick a landmark in twentieth-century drama.'The play remains a masterpiece.' Daily Telegraph The Collection This one-act play for television explores the sexual manoeuvres between two couples in the clothing trade. 'Taps the adrenal flow of contemporary guilt and anxiety.' Time The Lover Richard and Sarah conduct themselves with apparent respectability in the mornings, whilst living out a sequence of erotic rituals in the afternoons. 'Beautifully written... the sexiest play I remember seeing on the television.' Sunday Times The volume also includes Night School and The Dwarfs, plus five revue sketches written during the same period.

A restaurant. Two curved banquettes. It's a celebration. Violent, wildly funny, Harold Pinter's new play displays a vivid zest for life.In The Room, Harold Pinter's first play, he reveals himself as already in full control of his unique ability to make dramatic poetry of the banalities of everyday speech and the precision with which it defines character.Harold Pinter's latest play, Celebration, and his first play, The Room directed by the author himself, premi,red as a double-bill at London's Almeida Theatre in March 2000.

It was with this play that Harold Pinter had his first major success, and its production history since it was first performed in 1960 has established the work as a landmark in twentieth-century drama.The obsessive caretaker, Davies, whose papers are in Sidcup, is a classic comic creation, and his uneasy relationship with the enigmatic Aston and Mick established the author's individuality with an international audience.

Stanley Webber is visited in his boarding house by strangers, Goldberg and McCann. An innocent-seeming birthday party for Stanley turns into a nightmare.The Birthday Party was first performed in 1958 and is now a modern classic, produced and studied throughout the world.

'Betrayal is a new departure and a bold one . . . Pinter has found a way of making memory active and dramatic, giving an audience the experience of the mind's accelerating momentum as it pieces together the past with a combination of curiosity and regret. He shows man betrayed not only by man, but by time - a recurring theme which has found its proper scenic correlative . . . Pinter captures the psyche's sly manoeuvres for self-respect with a sardonic forgiveness . . . a master craftsman honouring his talent by setting it new, difficult tasks' New Society'There is hardly a line into which desire, pain, alarm, sorrow, rage or some kind of blend of feelings has not been compressed, like volatile gas in a cylinder less stable than it looks . . . Pinter's narrative method takes "e;what's next?"e; out of the spectator's and replaces it with the rather deeper "e;how?"e; and "e;why?"e; Why did love pass? How did these people cope with the lies, the evasions, the sudden dangers, panic and the contradictory feelings behind their own deftly engineered masks? The play's subject is not sex, not even adultery, but the politics of betrayal and the damage it inflicts on all involved.' The TimesFirst staged at the National Theatre in 1978, Betrayal was revived at the Almeida Theatre, London, in 1991. Twenty years after its first showing, it returned to the National in 1998.

In a fashionable restaurant, two gangsterish brothers, formerly from the East End but now "strategy consultants who enforce the peace", are celebrating a wedding anniversary with their wives, who are sisters. At the next table, a banker is dining with his wife, formerly his secretary. Violent, wildly funny, this play displays a vivid zest for life.

Stella returns from her dress collection in Leeds to tell James, her husband, that she has been unfaithful. James confronts Bill, pressing for the truth, already determined to believe the worst. Bill confesses that he and Stella had only talked about spending the night together. It had amused him to perpetuate Stella''s story - to hurt his friend Harry. Is this the truth? Stella is silent.

Teddy arrives home to pay his family a visit with his wife Ruth, who settles into the household as if into a well-known niche. Teddy''s brothe''s and his father all take it for granted that she is anyone''s for the asking - and she is. It is then''suggested that they should set her up in trade, in a little flat in Soho. Calmly Ruth lists the conditions she requires before accepting, barely batting an eyelid as Teddy returns to America.

His consummate skill and unerring ear for dialogue, coupled with his sensitivity and understanding of the work of other authors, make these three volumes a collective masterclass in screenwriting. Everyone who values the word and loves film will savour and enjoy this wide range of work with the distinctive Pinter hallmark.

These collected screenplays include "The Go-Between", "The Proust Screenplay", "Victory", "Turtle Diary", and "Reunion".

This collection of screenplays includes "The Servant", "The Pumpkin Eater", "The Quiller Memorandum", "Accident", "The Go-Between", "The Last Tycoon", "Langrishe, Go Down", and "The Proust Screenplay."

100 Poems by 100 Poets will serve both to introduce the diffident to the finest poetry in the English language, and to reward the devoted with its challenging choices and delightful surprises.

Harold Pinter's first and only novel, written in the early 1950s before he began writing plays. The novel is set in post-war London's East End, a landscape of bomb-sites, and describes the lives of four young Londoners whose energy and humour lift them above the routine austerity of the time.

Celebrating the art of the poet-translator, this pioneering anthology shows how the very heart of the English tradition has been sustained and enriched by translation over the centuries.