Bøger af Harold Speed

Much of the learning to practice as well as to appreciate art is concerned with understanding the basic principles. One of these principles is what Harold Speed calls "dither," the freedom that allows realism and the artistic vision to play against each other. Very important to any artist or work of art, this quality separates the scientifically accurate from the artistically accurate. Speed's approach to this problem is now considered a classic, one of the few books from the early years of this century that has continued to be read and recommended by those in the graphic arts.In this work, Harold Speed approaches this dynamic aspect of drawing and painting from many different points of view. He plays the historical against the scientific, theory against precise artistic definition. He begins with a study of line drawing and mass drawing, the two basic approaches the artist needs to learn. Further sections carry the artistic vision through unity and variety of line and mass, balance, proportion, portrait drawing, the visual memory, materials, and procedures. Throughout, Speed combines historical backgrounds, dynamic aspects which each technique brings to a work of art, and specific exercises through which the young draughtsman may begin his training. Although not a technique book in the strict sense of the terms, The Practice and Science of Drawing brings to the beginner a clear statement of the principles that he will have to develop and their importance in creating a work of art. Ninety-three plates and diagrams, masterfully selected, reinforce Speed's always clear presentation.Harold Speed, master of the art of drawing and brilliant teacher, has long been cited for this important work. For the beginner, Speed will develop a sense for the many different aspects which go into an artistic education. For the person who enjoys looking at drawings and paintings, Speed will aid developing the ability to see a work of art as the artist meant it to be seen.

"In any exhibition of amateur work . . . it is not at all unusual to find many charming water-colour drawings, but . . . it is very rarely that the work in the oil medium is anything but dull, dead, and lacking in all vitality and charm."--Harold SpeedSuch provocative assertions are characteristic of this stimulating and informative guide, written in a highly personal and unique style by a noted painter and teacher. Brimming with pertinent insights into the technical aspects and painting in oils, it is also designed to help students perfect powers of observation and expression.Harold Speed has distilled years of painting and pedagogical experience into an expert instructional program covering painting technique, painting from life, materials (paints, varnishes, oils and mediums, grounds, etc.), a painter's training, and more. Especially instructive is his extensive and perceptive discussion of form, tone, and color, and a fascinating series of detailed "Notes" analyzing the painting styles of Velasquez, Reynolds, Gainsborough, Franz Hals, and Rembrandt.Nearly 70 photographs and drawings illustrate the text, among them prehistoric cave paintings, diagrams of tonal values, stages of portrait painting, and reproductions of masterpieces by Giotto, Vermeer, Ingres, Rembrandt, Titian, Reynolds, Gainsborough, Hals, Giorgione, Poussin, Corot, Veronese, and other luminaries. In addition to these pictorial pleasures, the author further leavens the lessons with thought-provoking opinion.Clear, cogent, and down-to-earth, this time-honored handbook will especially interest serious amateurs studying the technical aspects of oil painting, but its rich insight into the mind and methods of the artist will enlighten and intrigue any art lover.

Master artists George Bridgman and Harold Speed take you on a guided journey from the fundamental principles of human movement to capturing the dynamism of the human form. Improve your figure-drawing skills with this compact-sized guide with lay-flat binding featuring instructions and blank sketch pages.

"The best things in an artist's work are so much a matter of intuition, that there is much to be said for the point of view that would altogether discourage intellectual inquiry into artistic phenomena on the part of the artist." Thus writes Harold Speed in the very first line of his introduction to the book in which deconstructs the process of drawing by subjecting it to lucid intellectual inquiry. Published in 1913, "The Practice and Science of Drawing" balances its practical advice with technical insight: a necessary manual for those who wish to master the elements of classical drawing.

This great book will teach you how to become a drawing master. It includes about 100 illustrations. It covers the paper, etching, pen and ink, lithography, white chalk, carbon pencil, red chalk, charcoal, lead pencil etc.

First published in 1924, Harold Speed's "The Science and Practice of Oil Painting" is the informative and fascinating guide to oil painting by the renowned painter and teacher. Speed was born in London in 1872 and studied architecture at the Royal College of Art before he began painting. He then studied art at the Royal Academy Schools and was elected to the Royal Society of Portrait Painters in 1896. Speed later wrote many instructional manuals on drawing and painting, including his widely influential "The Practice and Science of Drawing", published in 1913. Like his other works, "The Science and Practice of Oil Painting" is full of helpful advice and penetrating insights that are presented in an engaging and personal manner. Speed covers all of the important aspects that an oil painter must consider, such as materials, techniques, training exercises, and an invaluable discussion of tone, color, and form. Speed also examines in great detail the styles of many famous painters and encourages his readers to become better observers of the world around them. This classic guide is an important resource for aspiring and experienced painters as well as those that wish to better appreciate the art of painting. This edition is printed on premium acid-free paper.

First published in 1913 by noted British painter Harold Speed, "The Practice and Science of Drawing" is a timeless and invaluable guide on drawing. In his brilliant and insightful style, Speed shows both the aspiring artist and those who wish to appreciate and understand art the various approaches and theories there are to drawing from the technical and scientific to the more modern and artistic. Speed examines the many important aspects that the beginning artist must consider such as line and mass drawing techniques, proportion, balance, portraits, procedures, and suggested materials. Speed's classic remains an important teaching tool and includes many practical and helpful exercises so that drawing students have a starting point for their training. As experienced artists know, there is a tension between scientific accuracy versus artistic expression and Speed attempts to help the aspiring artist understand this tension. He seeks to guide them on how to maintain their artistic vision and sentiment while also embracing the scientific approach that is essential to creating realistic effects. Over a hundred years later "The Practice and Science of Drawing" remains an important text for all drawing students and those who wish to further understand art and technique. This edition is printed on premium acid-free paper.

First published in 1913 by noted British painter Harold Speed, "The Practice and Science of Drawing" is a timeless and invaluable guide on drawing. In his brilliant and insightful style, Speed shows both the aspiring artist and those who wish to appreciate and understand art the various approaches and theories there are to drawing from the technical and scientific to the more modern and artistic. Speed examines the many important aspects that the beginning artist must consider such as line and mass drawing techniques, proportion, balance, portraits, procedures, and suggested materials. Speed's classic remains an important teaching tool and includes many practical and helpful exercises so that drawing students have a starting point for their training. As experienced artists know, there is a tension between scientific accuracy versus artistic expression and Speed attempts to help the aspiring artist understand this tension. He seeks to guide them on how to maintain their artistic vision and sentiment while also embracing the scientific approach that is essential to creating realistic effects. Over a hundred years later "The Practice and Science of Drawing" remains an important text for all drawing students and those who wish to further understand art and technique. This edition is printed on premium acid-free paper.

The Practice and Science of Drawing is a work by English painter Harold Speed, which includes different drawing techniques, including chalk etc. H. Speed died in 1957.