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Craziness and Carnival in Neo-Noir Chinese Cinema offers an in-depth discussion of the "stone phenomenon" in Chinese film production and cinematic discourses triggered by the extraordinary success of the 2006 low-budget film, Crazy Stone.
Takes readers on a comprehensive tour of the urbanisation of Chinese cinema. Focusing primarily on movies from the end of the twentieth century, it is the first single-authored work to explore the relationship between the changes in Chinese society-caused in part by the advent of postsocialism, the growth of cities, and globalisation-and the transformation of Chinese cinema.
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