Bøger af Harry Levin

Because Harry Levin's view is large, as opposed to the many necessary exegeses and close textual studies, he leads the reader easily into the delights to be found in Joyce, from the comparatively simple prose of Dubliners, through Ulysses and into the complexities of Finnegans Wake. The insight and brilliance of this "critical introduction," first published by New Directions in 1941, make it as rewarding for the expert as the student. For this revised edition, Mr. Levin, who is Irving Babbitt Professor of Comparative Literature at Harvard, has made revisions and added a new preface and a long "postscript" which he calls "Revising Joyce." He examines the works that have come to light in the last few years and some of the important later biographical writings about Joyce.

No detailed description available for "Why Literary Criticism Is Not an Exact Science".

No detailed description available for "The Overreacher".

No detailed description available for "Contexts of Criticism".

No detailed description available for "Grounds for Comparison".

First Published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.

The Portable James Joyce, edited and with an introduction by Harry Levin, includes four of the six books on which Joyce's astonishing reputatuion is founded: A Portrait of the Artist As a Young Man; his Collected Poems (including Chamber Music); Exiles, Joyce's only drama; and his volume of short stories, Dubliners. In addition, there is a generous sampling from Ulysses and Finnegans Wake, including the famous "Anna Livia Plurabelle" episode.

The Power of Blackness is a profound and searching reinterpretation of Hawthorne, Poe and Melville, the three classic American masters of fiction. It is also an experiment in critical method, an exploration of the myth-making process by way of what may come to be known as literary iconology.

In this book, two psychologists apply principles of cognitivepsychology to understanding reading.

This book collects essays that examine key scenes in a number of plays which the author felt 'cried out' to be dramatized.

`Written with elegance and irony, the book is a searching enquiry into realism in the novel...' Leon Edel .