Bøger af Harryette Mullen

[headline]The first critical edition of Harryette Mullen's remarkable poetry, from her early works to the present-day Harryette Mullen is one of the most exciting innovative poets writing today. This landmark volume is the first of its kind, featuring Mullen's works from 1981 to the present day. Her Silver-Tongued Companion collects poems from Recyclopedia, Sleeping with the Dictionary, Urban Tumbleweed, Broken Glish: Five Prose Poems, a sampler of poems from Blues Baby, and several previously uncollected poems. Five compelling scholarly essays accompany the texts, offering new insight into Mullen's works, ranging beyond contemporary poetry to consider Mullen's works in wider contexts. Foregrounding Mullen's formal innovation, this critical edition will be indispensable to scholars and general readers of Mullen's poetry and contemporary avant-garde writing more widely. Her Silver-Tongued Companion offers an expansive and illuminating curation of Mullen's extraordinary work, tracing the remarkable career of one of the major poets of the twenty-first century. [bio]Harryette Mullen is Professor of English at University of California, Los Angeles (UCLA). She is a recipient of a Stephen Henderson Award, Jackson Poetry Prize, United States Artist Fellowship, Academy of American Poets Fellowship, Guggenheim Fellowship, Katherine Newman Award for Best Essay on Multi-Ethnic Literatures of the United States and a Gertrude Stein Award for Innovative Poetry. In 2023 she was elected to the American Academy of Arts and Sciences. Georgina Colby is Reader in Modern and Contemporary Literature at University of Westminster. She has published widely in the field of avant-garde writing and feminisms. Her books include Kathy Acker: Writing the Impossible (2016), and the collections Reading Experimental Writing (2019) and, as co-editor, The Contemporary Small Press: Making Publishing Visible (2020).

Harryette Mullen's fifth poetry collection, Sleeping with the Dictionary, is the abecedarian offspring of her collaboration with two of the poet's most seductive writing partners, Roget's Thesaurus and The American Heritage Dictionary. In her menage a trois with these faithful companions, the poet is aware that while Roget seems obsessed with categories and hierarchies, the American Heritage, whatever its faults, was compiled with the assistance of a democratic usage panel that included black poets Langston Hughes and Arna Bontemps, as well as feminist author and editor Gloria Steinem. With its arbitrary yet determinant alphabetical arrangement, its gleeful pursuit of the ludic pleasure of word games (acrostic, anagram, homophone, parody, pun), as well as its reflections on the politics of language and dialect, Mullen's work is serious play. A number of the poems are inspired or influenced by a technique of the international literary avant-garde group Oulipo, a dictionary game called S+7 or N+7. This method of textual transformation--which is used to compose nonsensical travesties reminiscent of Lewis Carroll's "e;Jabberwocky"e;--also creates a kind of automatic poetic discourse.Mullen's parodies reconceive the African American's relation to the English language and Anglophone writing, through textual reproduction, recombining the genetic structure of texts from the Shakespearean sonnet and the fairy tale to airline safety instructions and unsolicited mail. The poet admits to being "e;licked all over by the English tongue,"e; and the title of this book may remind readers that an intimate partner who also gives language lessons is called, euphemistically, a "e;pillow dictionary."e;

"Harryette Mullen is a magician of words, phrases, and songs . . . No voice in contemporary poetry is quite as original, cosmopolitan, witty, and tragic." -Susan Stewart, citation for the Academy of American Poets FellowshipUrban tumbleweed, some people call it,discarded plastic bag we see in every cityblown down the street with vagrant wind. -from Urban TumbleweedUrban Tumbleweed is the poet Harryette Mullen's exploration of spaces where the city and the natural world collide. Written out of a daily practice of walking, Mullen's stanzas adapt the traditional Japanese tanka, a poetic form suited for recording fleeting impressions, describing environmental transitions, and contemplating the human being's place in the natural world. But, as she writes in her preface, "What is natural about being human? What to make of a city dweller taking a 'nature walk' in a public park while listening to a podcast with ear-bud headphones?"